↑Leica M10 + Leica 35mm Summilux ASPH FLE f/1.4.
The Cousins, from years-gone-by:
Cousins, Easter 2018 (the only year we had a sunny Easter):
↑Nikon D850 + Nikon 28mm f/1.4 E.
Cousins, Easter 2017:
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 21mm Super-Elmar ASPH.
Cousins, Easter 2015:
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 50mm Summilux ASPH.
Cousins, Easter 2012:
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 35mm Summilux ASPH FLE.
Cousins, Easter 2011:
↑Nikon D3 + Nikkor-Noct 58/1.2.
From the archives (2015) – never posted until now.
↑ Mamiya 7II, Mamiya 43mm, and Kodak Portra 400.
From when I had this lens (2015; never posted).
↑ Nikon D810 + Nikon 58mm f/1.4 G.
Technical: The Nikon 24/1.4G @ f/1.4, mixed lighting (predominantly window).
At least, in our house.
Taken a few moments ago.
(Technical: f/6.3 | 1/250 | ISO 640)
Before anybody raises skin tone colour concerns, please be aware that she is wearing make-up.
Fleeting expressions like this are rarely seen with our eyes but always perceived by our subconscious.
Photography has the power to suspend such moments for our leisurely contemplation.
It’s one of the qualities of this obsessive pursuit that I enjoy.
A 70s vibe to this officer.
A little motion-emotion.
(Technical: 1/30 | f/16 | ISO 64)
Introducing the Nikon D810.
New camera, same outlook.
(Onward and upward.)
Oh yes — the lens.
The capital Z in TulowitZkie is because he’s a Zombie. Seriously.