I’ve had several of you contact me asking about who did the rebuild on my latest M3.
The answer is:
集英堂写真機 SHUEIDO CAMERA
They are based in Taiwan and they do amazing work, as you can see.
The results are not just cosmetically impressive — the camera functions exceptionally smoothly and accurately.
Having now commissioned two M3 cameras (first a Single Stroke and now a Double Stroke) from Shueido, I would say overall they are among the best rebuilds I have ever owned.
The customer service is also exceptional.
NOTE: As long time visitors to this blog know, I pay for my own gear and do not receive any compensation for endorsement. My opinion is based based on my personal experience.
This season is officially history.
Speaking of which, the medium of film gives this photo a nice vintage vibe.
Lastly, I choose the skyline + clubhouse as a backdrop but I lucked out that the field was empty and the sky was overcast (making for some gentle lighting despite it being midday).
↑ Leica M2-R, Voigtländer 35mm Ultron f/1.7, Kodak Portra 400, and Plustek 8200i.
For those of you clamoring for a new Leica M with autofocus and EVF like the Q series of cameras, this is what you are wishing for:
It’s been 10 months since I posted about the Doomo Light Meter.
Since then, I have used it extensively and have been very satisfied with its performance. So much so, that I have purchased two more.
I can also report that the manufacturer stands behind his products.
Finally got around to ordering the T-shirt I designed a few years ago.
…or “The Forgotten Film Portrait“.
This is from a roll of film that I started back in the winter. It’s been sitting in my camera for months, so today I decided to develop and scan it. The chemicals were prepared back in August (it’s the same chemistry I’ve been using all along), and the lens was untested up until this point. Given all of this, I wasn’t expecting much.
This is the first frame from the roll.
Honestly, I don’t know why I bother shooting with anything else.
Don’t get me wrong, I could give you plenty of reasons why not to shoot with film:
- prices have nearly doubled over the past year
- having the chemicals delivered is not as straightforward as it used to be
- shooting is less spontaneous compared to digital
- results (and errors) are not known until well after the moment has passed
- etc, etc, etc…
And yet, let me repeat:
First frame of the roll and I’m DONE.
↑ Leica M2-R, Voigtländer 50mm Nokton f/1.5 ASPH, Kodak Portra 400, and Plustek 8200i.
The dimensions of the newly-announced Fujifilm GFX 100S, as compared to the Nikon D850 (images courtesy of the comparison site camerasize.com). The Fuji of course is a mirrorless camera with a larger sensor, and the Nikon a DSLR with a smaller sensor.
Each has their pros and cons and this is an apples-to-oranges comparison, but I did it for my own purposes and thought I would share.
Fuji, I’ll be happy to test and review your brand new Fujifilm GFX 100S.
(never hurts to ask, and I do have some experience with your previous offerings…see here).
As is well known by now, I loved the colours coming out of the M9/M9P/M-E (and M8) series of Leica cameras.
I disliked the colours from the M240 (note: I am being polite with my language).
I found the colours of the M10/M10P to be a significant improvement over the M240, but still short of the M9 and M8.
The colours coming out the new M10-R are a step down from the M10/M10-P. Something weird is going on there.
Interestingly, I find the colours from the Leica SL line of cameras to be superior to their M counterparts, and also to the Nikon Z line of cameras I’ve previously owned.
I’m telling you this because I have nothing else to share, photographically speaking. We’re in another Covid-19 lock-down and in my M2-R sits a roll of Portra 400 that I started a month ago.
Hooray!!! Thanks to Alex, I have a happy update (see the comments section of the post from January 2, 2019).
Edit: Here is the direct link to Plustek.
↑ Image courtesy of Plustek.
Here is a link to the video:
For those of you looking for a more affordable replacement for the Voigtländer LH-6 (or even LH-8) bayonet-mount hood for your Nokton 40/1.4 (or 40/1.2) lens, here it is.
Most third party manufacturers produce hoods that screw into the filter, but this is the only third party solution I am aware of that mounts directly on to the lens, just like the OEM Voigtländer.
And it’s half the cost. Highly recommended.
Very pleased with this purchase.
This was taken with that first test roll of film from a few posts back, but I’m posting it today because we had an official tasting of my son’s basil (the varieties grown include Lemon, Thai, Sweet, and Green Globe—which is spicy).
Don’t tell the cops.
↑ Leica M2-R, Voigtländer 40mm Nokton f/1.4, Kodak Tri-X 400, and Plustek 8200i.
Screenshot from the documentary, Miles Davis: Birth of the Cool, showing Miles on Tri-X.
How cool is that?
…metaphorically speaking, of course.
It would be more accurate to call this Over the Moon because that’s how I’m feeling.
This image represents the first frame from the first roll of colour film I’ve ever self-developed.
I’ve been dragging my heels for years about doing this, stubbornly sticking to black and white film, much to the chagrin of my colleague-in-crime Mark, from iftimestoodstill.net industries (apparently now defunct according to the owner, but we know he’ll be back 🙂 ).
Anyway, thanks to the great expertise and guidance of Mark, I was able to develop this successfully (Mark, I owe you big time).
The rest of the frames from this roll will be posted in the near future.
(Technical: A colour cast may be perceived here, but it’s actually the true colour from the low sun when I shot this. You’ll see what I mean when I eventually post the other images).
↑ Leica M2-R, Voigtländer 40mm Nokton f/1.4, Fujifilm Superia X-tra 400, and Plustek 8200i.
Ricci‘s comparison of these two lenses:
Very impressive, that 24-200mm… and I’m a prime lens shooter!
I’ve re-processed my image Garden, 3, using similar techniques I used to use when processing my M9 files.
So…. I’m still experimenting. Wondering what people think (I’m looking at you jh).
↑Nikon Z7 + Nikon 50mm f/1.8S.