I just updated my Voigtländer 40mm Nokton Review.
[EDIT: images added]
[EDIT #2: more images added]
I had someone ask me today how I like the Epson V600 scanner. A few more of you have asked the same question since my last set of images were posted, so I thought I’d resurrect this previous discussion:
The same observations for the Epson V700 hold true for the V600, except that:
All in all, I am pleased with it and would recommend it to anyone scanning medium format film. For 35mm film, I use the Plustek 8200. Both of these scanners can be purchased for less money than the Epson V800, which is the current equivalent to the now discontinued V700.
The Plustek 120 is also no longer available, but a next generation model is anticipated.
Due to semi-popular demand, the following are back and available for purchase:
The links are in the main menu above, near the top of the page.
Photography has always been driven by technology.
So why is it that the further we go, the more we lose our way?
Maybe that’s why HCB (in 1968) abandoned photography and returned to his first love… painting.
Top Panel: As previously posted.
Bottom Panel: Film Simulations Applied.
EDIT: I just replaced the bottom panel with the updated versions (you may have to refresh your browser to see the changes). The differences are now more subtle, but the bottom panel definitely retains a more film-like appearance.
I decided to create this composite image using photos I’ve taken over the past year.
As you can see, the first (from last year) was created with the Nikon D850 + 105mm f/1.4. The other two (from this year) were created with the Fuji GFX 50R + 110mm f/2.
I share the above information purely for your interest and not for the purpose of making comparisons, as there are simply too many variables in effect in each image (for example, subject’s natural skin tone, time of day, natural vs. artificial vs. mixed lighting, etc.).
Suffice it to say, both systems produce wonderful image quality, though I would give the edge to Fuji (you cannot, however, discern that from the small-sized images I’ve posted).
With respect to weight, the Fuji also has a slight advantage:
However, the Nikon is without a doubt the more versatile system.
A couple of years ago, I updated my review of the Konica Hexanon 60mm 1.2 by deleting the entire discussion and replacing it with the statement:
“I no longer recommend this lens.”
Do you know why I did that? Because:
“I no longer recommend this lens.”
Since then, I’ve had a handful of people (including one in the comments section of what remains of the “review”) write to ask me whether I did this to drop the price of the 60/1.2, so that I could buy it again.
Well… no. That would be unethical.
Part of the reason for the downgrade was the price-to-performance ratio had become too great, and part of it had to do with a change in my preferences. Simply put, I am no longer interested in lenses that impart too much of a specific “look” to a photograph.
So for those individuals who paid an insane amount of money to own one, I’m sorry that its price has dropped, though I really don’t think I had anything to do with it.
I just got around to reading Steve Huff’s review of the Panasonic S1, and I must say that two things really, really impressed me:
Generally speaking, the sample images have a special look – I can immediately tell that there is something different (in a good way) going on there.
I am not interested in the camera per se (because I prefer rangefinders), but I am interested in working with sensors like this.
Recently, dpreview interviewed three top-level Nikon executives, and one of them said:
—Nikon (March, 2019).
It’s refreshing to see someone from a major camera manufacturer speak the truth.
On the other hand, many camera reviewers have erroneously made claims over the last few years that EVFs are now just as good (or almost as good) as optical viewfinders.
Although there’s no doubt that EVFs will continue to improve, I’m sticking with OVF-equipped cameras (for now) so that I can continue to see the world clearly and in real-time.
The truck was moving when I photographed it.
The full-res file leaps off the screen. You can get a sense of that effect here, even at this (much smaller) size.
↑ Fujifilm GFX 50R + Fujifilm 63mm f/2.8 R WR.