Category Archives: Leica 50mm Summicron Dual Range f/2

House-Road Blues, 4.

The darkness on the left side is, ahem, part of my camera strap.  I could tell you that it was intentionally placed there, but then you’d know I was lying.

Unfortunately, there were no do-overs on this one… it was a candid moment.

—Peter.

Leica M3, Leica 50mm Summicron Dual Range, Kodak Tri-X 400, and Plustek 8200i.

Homework, revisited.

Leica M3, Leica 50mm Summicron Dual Range, Kodak Tri-X 400, and Plustek 8200i.

The Portrait at the Gate.

Leica M3, Leica 50mm Summicron Dual Range, Kodak Tri-X 400, and Plustek 8200i.

The Hat Portrait.

Leica M3, Leica 50mm Summicron Dual Range, Kodak Tri-X 400, and Plustek 8200i.

Family.

Leica M3, Leica 50mm Summicron Dual Range, Kodak Tri-X 400, and Plustek 8200i.

Smile.

Leica M3, Leica 50mm Summicron Dual Range, Kodak Tri-X 400, and Plustek 8200i.

Thinking.

Leica M3, Leica 50mm Summicron Dual Range, Kodak Tri-X 400, and Plustek 8200i.

The Viola Player, 2.

Leica M3, Leica 50mm Summicron Dual Range, Kodak Tri-X 400, and Plustek 8200i.

The Viola Player.

Leica M3, Leica 50mm Summicron Dual Range, Kodak Tri-X 400, and Plustek 8200i.

Braided.

Leica M3, Leica 50mm Summicron Dual Range, Kodak Tri-X 400, and Plustek 8200i.

The Conversation.

Leica M3, Leica 50mm Summicron Dual Range, Kodak Tri-X 400, and Plustek 8200i.

House-Road Blues, 3.

Leica M3, Leica 50mm Summicron Dual Range, Kodak Tri-X 400, and Plustek 8200i.

House-Road Blues, 2.

Leica M3, Leica 50mm Summicron Dual Range, Kodak Tri-X 400, and Plustek 8200i.

House-Road Blues.

Leica M3, Leica 50mm Summicron Dual Range, Kodak Tri-X 400, and Plustek 8200i.

Sombre.

A moment of sadness, after realizing that Honey had chewed a hole through her new favourite toy.

(none of us had realized that it was his favourite too)

—Peter.

Leica M3, Leica 50mm Summicron Dual Range, Kodak Tri-X 400, and Plustek 8200i.

Saturday.

Leica M3, Leica 50mm Summicron Dual Range, Kodak Tri-X 400, and Plustek 8200i.

Lean on Me.

Normally I avoid tilting the frame as I’ve done here.

Of course, I didn’t have the instant feedback of digital to guide me (besides, this was the shot anyway — there was never going to be a do-over).

I only became aware of the problem after developing and scanning the film.  Correcting it would’ve resulted in cropped edges and an altered composition.

So, it remains as it was photographed, with the lean.

—Peter.

Leica M3, Leica 50mm Summicron Dual Range, Kodak Tri-X 400, and Plustek 8200i.

Sisters.

Leica M3, Leica 50mm Summicron Dual Range, Kodak Tri-X 400, and Plustek 8200i.