↑ Leica M10 + Leica 35mm Summilux ASPH FLE f/1.4.
Photographs by Peter
Prosophos
The Konica Hexanon 60mm 1.2.
A couple of years ago, I updated my review of the Konica Hexanon 60mm 1.2 by deleting the entire discussion and replacing it with the statement:
“I no longer recommend this lens.”
Do you know why I did that? Because:
“I no longer recommend this lens.”
Since then, I’ve had a handful of people (including one in the comments section of what remains of the “review”) write to ask me whether I did this to drop the price of the 60/1.2, so that I could buy it again.
Well… no. That would be unethical.
Part of the reason for the downgrade was the price-to-performance ratio had become too great, and part of it had to do with a change in my preferences. Simply put, I am no longer interested in lenses that impart too much of a specific “look” to a photograph.
So for those individuals who paid an insane amount of money to own one, I’m sorry that its price has dropped, though I really don’t think I had anything to do with it.
—Peter.
[Guest Post] Aaron C Greenman and the Mamiya 6.
–
Aaron writes:
“Peter, as you know I have been a Leica M shooter for most of the past 15 years….. until the past three years, when I have been wrestling with the (as of now somewhat false) promise of portable mirrorless digital (the Hasselblad X1D). Back and forth, it has been a struggle to decide between the wonderful image quality and color fidelity of the Hasselblad with the obvious handling, fluidity and OVF advantages of the Leica.
–
Anyway, I have neither now, as I await an X2D equivalent, and I’ve found and am using what I pray every night for exactly in digital – the Mamiya 6, along with its 75mm and 50mm lenses (approx. 50mm and 28mm equivalent).
–
For any Leica M enthusiast, the Mamiya 6 (or 7, if you want to shoot 6×7), is a wonderfully familiar experience: a big nice optical coupled rangefinder, compact design for its 6×6 image size, a collapsible lens mount, and quality, lightweight lenses with sharp and characterful rendering. I have also always wanted to shoot square natively, and it is a simple joy in a square, uncluttered viewfinder – never having to turn the camera takes one more variable out of the composition equation.
–
The accompanying photo was taken with the 6, the 50mm and Ektar 100 on a recent trip in United Arab Emirates, and shows the Mamiya excels in the most key area – an instantaneous shutter that allows its owner to precisely capture the moment.
–
All in all, it is an experience of pure photographic bliss…… just be mindful of the limits of 12 shots per roll! 😉”
–
Thanks again!
–
–
Aaron, thank you for your thoughts, which I’m sure will be helpful to photographers out there contemplating getting the Mamiya 6. As an aside, I never thought I’d see you shooting film, and it’s nice to see you indulge in some colour photography! Keep up the great work.
–
For my part, I have really wanted to get back to film (and almost did so recently) but the constant announcements of film stock discontinuations and ever-tightening shipping restrictions on chemicals for developing have made me hesitate to (re-)commit. It’s images like this, however, and what I see over at Mark’s site that keep the idea of film photography alive for me.
–
Lastly, regarding your comment…
–
“…it has been a struggle to decide between the wonderful image quality and color fidelity of the Hasselblad with the obvious handling, fluidity and OVF advantages of the Leica.”
–
…much like you, my ideal camera would be designed like a Leica M with a proper (OVF) rangefinder, but would contain a medium format sensor, in a body no larger than a Mamiya 6 (or Hasselblad X1D).
–
Leica, if you’re interested, we can help you do it!
(one can hope…)
–
—Peter.
The First Supper.
↑ Leica M10 + Leica 35mm Summilux ASPH FLE f/1.4.
Cousins – Happy Easter, 2019.
↑Leica M10 + Leica 35mm Summilux ASPH FLE f/1.4.
–
The Cousins, from years-gone-by:
Cousins, Easter 2018 (the only year we had a sunny Easter):
↑Nikon D850 + Nikon 28mm f/1.4 E.
–
Cousins, Easter 2017:
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 21mm Super-Elmar ASPH.
–
Cousins, Easter 2015:
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 50mm Summilux ASPH.
–
Cousins, Easter 2012:
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 35mm Summilux ASPH FLE.
–
Cousins, Easter 2011:
↑Nikon D3 + Nikkor-Noct 58/1.2.
The Panasonic S1.
I just got around to reading Steve Huff’s review of the Panasonic S1, and I must say that two things really, really impressed me:
- The colour reproduction at high ISO.
- The dynamic range.
Generally speaking, the sample images have a special look – I can immediately tell that there is something different (in a good way) going on there.
I am not interested in the camera per se (because I prefer rangefinders), but I am interested in working with sensors like this.
—Peter.
Beach Acrobatics.
↑ Leica M10 + Leica 50mm Summilux ASPH f/1.4.
Sisters and the TV Show.
↑ Leica M10 + Leica 50mm Summilux ASPH f/1.4.
Odds and Ends.
↑ Leica M10 + Leica 50mm Summilux ASPH f/1.4.
R – Portrait in Barbados (Coffee).
↑ Leica M10 + Leica 50mm Summilux ASPH f/1.4.
Morning Moon.
↑ Leica M10 + Leica 50mm Summilux ASPH f/1.4.
Snow Honey.
↑ Leica M10 + 7Artisans 50mm f/1.1.
Green.
↑ Leica M10 + Leica 50mm Summilux ASPH f/1.4.
(Another) Saturday with Nana.
Different lens today, different vibe.
(here’s the previous Saturday with Nana)
—Peter.
↑ Leica M10 + 7Artisans 50mm f/1.1.
Good Morning.
↑ Leica M10 + Leica 50mm Summilux ASPH f/1.4.
Sisters.
↑ Leica M10 + Leica 50mm Summilux ASPH f/1.4.
