↑ Leica M3, Leica 50mm Summicron Dual Range, Kodak Tri-X 400, and Plustek 8200i.
Prosophos
Photographs by Peter
Strings.
↑ Nikon D500 + Nikon 58mm f/1.4 G.
The Last Performance 1, 2, and 3.
↑ Nikon D500 + Nikon 58mm f/1.4 G.
Homework.
Homework by the pale Mac light.
—Peter.
↑ Nikon D850 + Nikon 200mm f/2 G ED VR II.
Leica, by Nikon.
Leica M3 + 50mm Summicron DR, as photographed by the Nikon D850 + 58/1.4G.
(Please bear with me… it’s friggin’ snowing outside and we’re into the second half of April.)
Having said that, the 58 1.4G @ f/1.4 is so smooooooth….
—Peter.
↑ Nikon D850 + Nikon 58mm f/1.4 G.
Scooter Girl 3.
↑ Nikon D850 + Nikon 58mm f/1.4 G.
G and C.
↑ Nikon D850 + Nikon 58mm f/1.4 G.
Family.
↑ Leica M3, Leica 50mm Summicron Dual Range, Kodak Tri-X 400, and Plustek 8200i.
That Look.
↑ Nikon D850 + Nikon 58mm f/1.4 G.
Smile.
↑ Leica M3, Leica 50mm Summicron Dual Range, Kodak Tri-X 400, and Plustek 8200i.
The Green Room (Laugh).
From the archives (2015) – never posted until now.
—Peter.
↑ Mamiya 7II, Mamiya 43mm, and Kodak Portra 400.
Thinking.
↑ Leica M3, Leica 50mm Summicron Dual Range, Kodak Tri-X 400, and Plustek 8200i.
Baxter and the art of stealing a baseball.
The victims of this crime were three children.
On a serious note…
I decided to remove the 200mm f/2 from the D500 (where it’s been permanently mounted) and try it out on the D850.
Though I don’t consider the D850 a sports camera, it did reasonably well here (and I can assure you that little Baxter is very fast).
—Peter.
↑ Nikon D850 + Nikon 200mm f/2 G ED VR II.
The Viola Player, 2.
↑ Leica M3, Leica 50mm Summicron Dual Range, Kodak Tri-X 400, and Plustek 8200i.
The Viola Player.
↑ Leica M3, Leica 50mm Summicron Dual Range, Kodak Tri-X 400, and Plustek 8200i.
Waiting is the hardest part.
Here’s a fresh roll of film I developed and hung to dry (a few minutes ago).
Now: patience, patience.
—Peter.
Braided.
↑ Leica M3, Leica 50mm Summicron Dual Range, Kodak Tri-X 400, and Plustek 8200i.
