From the archives (2015) – never posted until now.
—Peter.
↑ Mamiya 7II, Mamiya 43mm, and Kodak Portra 400.
Photographs by Peter
Prosophos
Category Archives: Mamiya 7/7II
Turning the corner, again.
This is a revisiting of a similar shot, taken with much different equipment, on a different day.
—Peter.
↑Mamiya 7 + 65mm + Kodak Porta 400.
Downtown.
Test shot Mamiya 7 + 65mm.
I think I may have finally found my “one lens solution” for the Mamiya 7.
On another note, spring has FINALLY arrived in Toronto!
—Peter.
↑Mamiya 7 + 65mm + Kodak Porta 400.
Firefighters.
↑Mamiya 7II + 80mm + Kodak Porta 400.
Blue and Red (Test Shots, Mamiya 7).
Test Roll #1, Frames #4 and 5 of 10.
In the first shot I was re-familiarizing myself with the dynamic range, in the second the bokeh. In both I was testing for the focus accuracy of my rangefinder.
1/125 | f/4 for both images.
So far, so good.
—Peter.
↑Mamiya 7 + 80mm + Kodak Porta 400.
Bikes and Pedestrian (Mamiya 7 test shot with crop).
Test Roll #1, Frame #2 of 10.
Overcast, late afternoon.
1/250 | f/4.
–
Here’s the scene.
The point of focus is on the letters “SR” (on the bike seat):
–
And here is an extreme crop:
↑Mamiya 7 + 80mm + Kodak Porta 400.
–
—Peter.
The Glance.
(I was invisible to this man.)
Test Roll #1, Frame #3 of 10.
Overcast, late afternoon.
1/125 | f/4.
—Peter.
↑Mamiya 7 + 80mm + Kodak Porta 400.
The Lion and the Lioness.
Test Roll #1, Frame #9 of 10.
Overcast, late afternoon.
1/125 | f/4.
—Peter.
↑Mamiya 7 + 80mm + Kodak Porta 400.
Love, Spilling.
Technical: f/4.5, 1/30 sec.
—Peter.
Summer.
It started snowing here last week. It’ll be a long time before we get back to this…
Toothless and cyanotic.
One thing about the 6 x 7 format I really appreciate is that everything is depicted in a “grand” way (even blue tongues!) and truer to life vs. the 35mm format.
The effect is always visible to my eye, but becomes more apparent when comparing images from the two formats in a side-by-side fashion.
—Peter.
Tousled Reflections.
At the interface of Spring and Summer.
