↑Mamiya 7II + Mamiya 80mm + Kodak Tri-X 400.
Photographs by Peter
Prosophos
Category Archives: Mamiya 7/7II
Mother and Father.
↑Mamiya 7II + Mamiya 80mm + Kodak Tri-X 400.
Mother.
↑Mamiya 7II + Mamiya 80mm + Kodak Tri-X 400.
Father.
↑Mamiya 7II + Mamiya 80mm + Kodak Tri-X 400.
Honey and Honey.
↑Mamiya 7II + Mamiya 80mm + Kodak Tri-X 400.
Disembodied.
↑Mamiya 7II + Mamiya 80mm + Kodak Tri-X 400.
8 Years’ Wise.
Happy 8th Birthday, Honey.
October 18, 2019.
—Peter.
↑Mamiya 7II + Mamiya 80mm + Kodak Tri-X 400.
Close to home (1 – 5).
Test Roll for the Mamiya 43mm lens.
(Also testing the Epson V600 scanner… thanks to Mark from IfTimeStoodStill for the recommendation).
—Peter.
↑Mamiya 7II + Mamiya 43mm + Kodak Tri-X 400.
Mamiya 7II + 80mm – Test (Roll 0).
10 images on a roll, I’m posting 7 (the others were duplicates).
Looks like everything is working as it should.
Haven’t used this film before (Kodak Ektar 100), but it was the only 120 colour film that was in stock locally.
—Peter.
↑Mamiya 7II + Mamiya 80mm + Kodak Ektar 100.
The Green Room (Laugh).
From the archives (2015) – never posted until now.
—Peter.
↑ Mamiya 7II, Mamiya 43mm, and Kodak Portra 400.
Turning the corner, again.
This is a revisiting of a similar shot, taken with much different equipment, on a different day.
—Peter.
↑Mamiya 7 + 65mm + Kodak Porta 400.
Downtown.
Test shot Mamiya 7 + 65mm.
I think I may have finally found my “one lens solution” for the Mamiya 7.
On another note, spring has FINALLY arrived in Toronto!
—Peter.
↑Mamiya 7 + 65mm + Kodak Porta 400.
Firefighters.
↑Mamiya 7II + 80mm + Kodak Porta 400.
Blue and Red (Test Shots, Mamiya 7).
Test Roll #1, Frames #4 and 5 of 10.
In the first shot I was re-familiarizing myself with the dynamic range, in the second the bokeh. In both I was testing for the focus accuracy of my rangefinder.
1/125 | f/4 for both images.
So far, so good.
—Peter.
↑Mamiya 7 + 80mm + Kodak Porta 400.
Bikes and Pedestrian (Mamiya 7 test shot with crop).
Test Roll #1, Frame #2 of 10.
Overcast, late afternoon.
1/250 | f/4.
–
Here’s the scene.
The point of focus is on the letters “SR” (on the bike seat):
–
And here is an extreme crop:
↑Mamiya 7 + 80mm + Kodak Porta 400.
–
—Peter.
The Glance.
(I was invisible to this man.)
Test Roll #1, Frame #3 of 10.
Overcast, late afternoon.
1/125 | f/4.
—Peter.
↑Mamiya 7 + 80mm + Kodak Porta 400.
The Lion and the Lioness.
Test Roll #1, Frame #9 of 10.
Overcast, late afternoon.
1/125 | f/4.
—Peter.
↑Mamiya 7 + 80mm + Kodak Porta 400.
