The cheekiness is still there.
—Peter.
↑ Leica M3, Leica 50mm Summicron Dual Range, Kodak Tri-X 400, and Plustek 8200i.
The cheekiness is still there.
—Peter.
↑ Leica M3, Leica 50mm Summicron Dual Range, Kodak Tri-X 400, and Plustek 8200i.
Here is a link to some wonderful images created by a good friend of this site, Aaron C Greenman.
As Aaron tells it, “this is where I’ve called home the past seven years…“.
—Peter.
For the last few weeks I’ve been posting mostly B&W film images. The feeble winter light here seems to paint every scene with moody and muted tones anyway, so why not just get rid of colour altogether? However, even I get tired of that after a while so today I want to inject some colour into the proceedings.
Here then is an image from De Mello that was taken in early December, when the light was a little more plentiful.
—Peter.
↑ Nikon D850 + Nikon 28mm f/1.4 E.
I made use of the close-focus attachment of the 50mm Dual Range (DR) for this image.
I have always admired the build quality of Leica M3 cameras but like many photographers often found the 1 m close-focus distance too limiting. The DR solves this problem and gets me even closer than I’m used to when photographing with an M-series camera.
At first I thought that attaching/removing the extra hardware would prove impractical/cumbersome but in practice it hasn’t held me back. In fact, the engineering and design behind the Dual Range is quite well thought out and the system is simply a delight to use.
—Peter.
f/2 @ 1/30 sec
↑ Leica M3, Leica 50mm Summicron Dual Range, Kodak Tri-X 400, and Plustek 8200i.
Notice a pattern? No interpolation necessary.
—Peter.
As of today, January 7, 2018, I am using a digital camera (Nikon D850) with arguably one of the greatest 35mm sensors every made and yet my Leica M3 + 50/2 Dual Range + Kodak Tri-X combination still gives me a look that digital cannot — not even after having been Photoshoped, VSCOized, Silver Efexized, or whatever-simulationized.
—Peter.