Featured Photographer: Tibor Budai.

Film, Guest Post, Inspiration

Tibor Budai

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“What I want is to capture the natural, something quirky, insignificant or ordinary in the eyes of everyone, but something that eventually becomes emotional or surreal once transcribed to a photo.”

—Tibor Budai.–

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Tibor Budai

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About.

35 yrs old, originally from Budapest, Hungary.  Moved to Switzerland as a child, where he currently resides.  Works for Philip Morris.

Cameras and lenses.

“A Leica M7 with my 35mm Zeiss Biogon. I also have a Nikon FM2 as a backup solution in case my main camera breaks down!”

What’s important.

“We only live once, but if you play it right it is enough. ”

Interesting fact.

“I was in the army in Switzerland, and security was at a maximum during the 9/11 era.  Part of my duties included patrolling the US embassy and many others in the capital of Bern. Nowadays, I much prefer to patrol the streets with a camera hanging around my neck rather than a machine gun.”

 

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Today I am very pleased to present the work of Tibor Budai, whose photography I’ve enjoyed for several years.

Mr. Budai has an uncanny ability to “see”, and a gift for pressing the camera shutter at precisely the most interesting/poignant moment.

His seemingly quirky compositions belie a masterful photographer at work, whose intelligence is both playful and incisive.  Moreover, he accomplishes all of this within the challenging medium of film.

Simply put, Tibor is one of the purest photographers I know, and I admire his talents tremendously.
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—Peter.
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Q&A with Tibor.

What motivated (and still motivates) you to pick up a camera?

“The motivation for me is to record an instant which will disappear forever as quickly as it has appeared, just a moment ago.  It’s my life’s passion I think, discovered late, but as we say: “better late then never!” I just love taking pictures with the imagination process that begins soon after having taken it and this same process continuing on until the film development, with the gradual excitement going with it. And I simply like to look and appreciate the result of the successful photos after all the effort made. ”

 

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What do your images “say” about you?

“We say that pictures reflect one’s personality. Perhaps this is true. What I want is to capture the natural, something quirky, insignificant or ordinary in the eyes of everyone, but something that eventually becomes emotional or surreal once transcribed to a photo.  To say the least, this is not an obvious thing to do!“

 

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How have you evolved as a photographer/artist over the years?

“[I’ve evolved] a lot if I look back when I started 3-4 years ago.  I’ve learned from others’ work in forums or social media, and turning the pages of grand master’s photo books countless times, over and over again .”

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Any further comments about your work you’d like to share?

“I started doing mostly street photography. But now I tend to run some personal projects. I think change can bring benefits especially when one feels that particular subjects may have been overdone. It also allows me to come back to previous subjects, but with a different refreshed perspective. ”

 

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Images courtesy of Tibor Budai.

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Once again, I wish to convey my gratitude to Tibor for participating in this series.

If you’d like to see more of his work, please visit Tibor’s website here.

—Peter.

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Past Featured Photographers on Prosophos.com include:

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And the winner is…

Film, Inspiration, Q&A

I am pleased to announce that Kevin Ng is the winner of the Prosophos Film Contest.

Mr. Ng created this beautiful image using a Mamiya 645AFD II loaded with Tri-X 400 120 film:

Prosophos Film Contest 3

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Kevin, I can post mail you the 50 rolls of Tri-X 400, or I can deliver them in person (Toronto) with a cup of coffee :), as promised.

Congratulations!

A sincere thank you to everybody who participated, and congratulations again to the Top 10 Finalists.

—Peter.

The most popular post this month on Prosophos.com?

Inspiration, Q&A, Teaching point

Leica M9 vs. M240 (CCD vs. CMOS)

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I was surprised to see that above is still the most popular post on Prosophos.com, given I posted it three months ago.

Leica M9 vs. M240

Yes my friends, I guess the CCD vs. CMOS sensor debate rages on… for many.

Not for me though.

—Peter.

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Related posts:

M240: More Thoughts

Leica M240: Final Verdict

Leica M9 sharpness vs. Sony RX1R, Nikon D800E, Fuji X100s

Prosophos Film Contest: 10 Finalists.

Film, Inspiration

Just over a month ago, I announced my little Film Contest.

Many beautiful and diverse images were submitted, and for the last couple of days I’ve been reviewing them.

As you may recall, I asked each contestant to show me, in a single image, why he/she loves the medium of film.  Almost all of the entrants fulfilled that request, but — alas! — I can only choose one winner for the 50 rolls of Tri-X 400.

Before I do that, however, I wanted to honour the 10 Finalists by displaying their images below:

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#1

Prosophos Film Contest 1

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#2

Prosophos Film Contest 2

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#3

Prosophos Film Contest 3

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#4

Prosophos Film Contest 4

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#5

Prosophos Film Contest 5

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#6

Prosophos Film Contest 6

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#7

Prosophos Film Contest 7

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#8

Prosophos Film Contest 8

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#9

Prosophos Film Contest 9

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#10

–Prosophos Film Contest 10

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Please join me in thanking the talented photographers who created these 10 images.

The winner will be announced at some point this weekend.

I also would like to sincerely thank all of the individuals who participated in the contest.

—Peter.

645.

Inspiration, Q&A, Teaching point

Recently, I asked the question:  How large a print can you make from a Leica M9 file?

For my purposes (portraiture and simple element scenes), the answer turns out to be 36 x 24 inches:

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36 x 24 comparison

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I thought about this some more, and realized that it would be interesting to see how much of a magnification over the Leica M9 sensor those prints above represent.  If you want to skip the math below, the answer turns out to be 645!

Here’s the math:

The Leica contains a so-called “full frame” sensor that is exactly 36 x 24 mm in size (that’s where the 36 x 24 comes from).

The area of this sensor

= 36 x 24 mm

= 864 mm2

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The prints I made were 36 x 24 inches.

In the equivalent (metric) mm, this translates to

= 914 x 609.6 mm

=557, 174.4 mm2

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The magnification of print-over-sensor area, therefore

= 557,174.4/864

= 645

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This is remarkable when you think about it.  The digital sensor (about the size of a stamp — remember those?) produces an image which is then magnified 645 times to produce the prints you see above.

Proportionally, this is what is going on:

645 Times

All of the above underscores the importance of technique, lens quality, etc., when photographing with the aim of producing large prints: any “error” will be magnified 645 times!

Of course, you always have the option of turning to the much larger and more forgiving medium format sensors, but that’s another story…

—Peter.

Prosophos Images on display at the Stephen Bartels Gallery!

Inspiration, Q&A

I am very pleased to announce that my work is now being featured at the Stephen Bartels Gallery in London, England.

It is an honour to be part of the distinguished group of photographers Stephen has pulled together under the auspices of the SBG.

If you find yourself in London, please drop by Stephen’s fine gallery and have a look at the amazing images on display.  And, if you happen to spot my humble contributions, please feel free to take a picture and send it my way ;).

—Peter.

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prosophos-at-stephen-bartels-gallery

36 x 24.

Inspiration, Leica 24mm Summilux ASPH f/1.4, Leica 50mm Noctilux f/0.95, Portrait, Q&A, Teaching point

How large a print can you make from an M9 file?

Well, the largest I’ve printed for clients is 36 x 24 inches:

24 x 36 M9 50 Summilux

Even at this large a size, the detail from the M9 and the 50mm Summilux combo used to create the image above is impressive.

However, yesterday I tried doing this for the first time with two other lenses:  the 24mm Summilux (f/1.4) and and the 50mm Noctilux (f/0.95).  Truth be told, I wasn’t expecting anything near as good as what I get from the technically brilliant 50 Summilux ASPH.

We’ll I’m happy to report that I was wrong.  They not only did well, they did exceptionally well — I was astounded to see how much detail the 24 Summilux and 50 Noctilux produce at their widest apertures.

But in the age of phone and tablet image viewing, most people will never encounter an actual print, let alone a 36 x 24 print.  So what does 36 x 24 actually look like?  I thought I’d show you with a little demonstration:

(please click on the image to view at MAXIMUM size and detail)

24 x 36 size demo

—Peter.