Countercultural, circa 2018.
—Peter.
1962 Leica Dual Range Close Focus Attachment and Case.
As of today, January 7, 2018, I am using a digital camera (Nikon D850) with arguably one of the greatest 35mm sensors every made and yet my Leica M3 + 50/2 Dual Range + Kodak Tri-X combination still gives me a look that digital cannot — not even after having been Photoshoped, VSCOized, Silver Efexized, or whatever-simulationized.
—Peter.
Early evening snowfall.
There will be more shoveling but who cares?… I am photographing with film again!
Looks like my new combo is working well.
—Peter.
↑ Leica M3, Leica 50mm Summicron Dual Range, Kodak Tri-X 400, and Plustek 8200i.
The shutter lag is defined as the time between when:
A minimal shutter lag is very helpful when trying to photograph the decisive moment.
Below I’ve compiled the shutter lag times of various 35mm cameras; the data is consistent with my own experience and it may surprise a few of you.
—Peter.
–
A few of you have expressed an interest in seeing this list 😉
So, here goes…
–
–
–
–
–
–
I’ve been photographing with the D500 since May and with the D850 since September; the 28mm f/1.4 and 200mm f/2 lenses were also introduced in September.
The 28mm stays on the D850.
The 200mm stays on the D500.
The image quality from both set-ups is of a high calibre, to say the least.
Admittedly (and predictably) the one thing I’ve missed after all of these months is photographing with a rangefinder, but I think I have sorted that out.
(Hint: what’s old is new again.)
Happy New Year!
—Peter.