Technical: f/1.4, 1/60 sec.
Portrait
Dinner Theatre (in 3 Acts).
Film, Kodak BW400CN, Leica M3, Life's Little Moments, Portrait, Q&A, Teaching point, Voigtländer 40mm f/1.4 NoktonArcher.
2015, Favourite, Film, Kodak BW400CN, Leica M3, Portrait, Q&A, Teaching point, Voigtländer 40mm f/1.4 NoktonReflections.
Inspiration, Leica 35mm Summilux ASPH FLE f/1.4, Leica M Type 240, PortraitWindow Light Portrait.
Favourite, Film, Kodak Portra 400, Mamiya 43mm, Mamiya 7/7II, PortraitThe Green Room.
Favourite, Film, Inspiration, Kodak Portra 400, Mamiya 43mm, Mamiya 7/7II, PortraitEvening Repose.
Film, Inspiration, Kodak BW400CN, Leica 50mm Summilux ASPH f/1.4, Leica M3, PortraitCopacabana (At the Copa), revisited.
Inspiration, Leica 50mm Summilux ASPH f/1.4, Leica M Type 240, Portrait, SportsLonging Look.
Film, Inspiration, Kodak BW400CN, Leica 50mm Summilux ASPH f/1.4, Leica M3, PortraitEcho, echo.
As an aside, this represents the 5th “test shot” taken with my new-old M3. As you can tell, most of the test shots were made under awful incandescent lighting (after all, I was only interested in confirming focus accuracy).
Still, there’s something about film and the way it renders even poorly lit scenes.
—Peter.
Sunshine Bear and C.
Film, Inspiration, Kodak BW400CN, Leica 50mm Summilux ASPH f/1.4, Leica M3, PortraitAnd so it begins.
Inspiration, Leica 35mm Summilux ASPH FLE f/1.4, Leica M Type 240, PortraitThe Fire.
2015, Favourite, Inspiration, Leica 35mm Summilux ASPH FLE f/1.4, Leica M Type 240, PortraitThe fellas.
Inspiration, Leica 50mm Summilux ASPH f/1.4, Leica M Type 240, Portrait, SportsCopacabana (At the Copa).
2015, Inspiration, Leica 50mm Summilux ASPH f/1.4, Leica M Type 240, Portrait, SportsCamouflage (skin tones).
2015, Favourite, Inspiration, Leica 35mm Summilux ASPH FLE f/1.4, Leica M Type 240, PortraitLaugh.
Inspiration, Leica 35mm Summilux ASPH FLE f/1.4, Leica M Type 240, Portrait, Q&A, Teaching pointI say the silliest things to her…
On another note, the artificial and mixed back-lighting, and the reflections off the red walls, in this scene are very challenging. Yet, with the proper pre-processing (a term I believe I coined) and post-processing, the technical issues are mostly overcome.
I know that there will be a few individuals who will insist that I should have used flash, but I vehemently disagree: the spontaneity and ambiance would have been lost.
I’d feel differently if I was trying to produce a formal portrait — but I wasn’t.
—Peter.





















