Inspiration
Dark Honey.
Inspiration, Nikon Df, Portrait, Voigtländer 40mm f/2 SL-IIThe Alzheimer Society Fundraising Gang.
Film, Inspiration, Kodak Tri-X 400, Mamiya 7/7II, Mamiya 80mm, Portrait, Scanner - Plustek 120Nikon Df and Voigtlander 40mm @ f/2 – 100% magnification.
Inspiration, Nikon, Nikon Df, Q&A, Teaching point, Voigtländer 40mm f/2 SL-IIModern Classic.
Inspiration, Nikon, Nikon Df, Portrait, Voigtländer 40mm f/2 SL-IIThe Nikon Df sensor.
Inspiration, Nikon, Nikon Df, Q&A, Teaching point, Voigtländer 40mm f/2 SL-IIAfter about a week of photographing with the Nikon Df, I am pleased to say that its CMOS sensor appears to come the closest to behaving like the CCD sensor I’ve long respected in the Leica M9.
I can actually pull more shadow detail out of the files (which came as a complete surprise) and the highlight recovery is also superior (not a surprise).
Of course, the Df is not a rangefinder (so if you’re like me, and like to manually focus, that makes things more difficult… also, I miss seeing the scene “outside of the frame” that a rangefinder offers) and the stable of lenses for the Nikon F-mount are larger and generally not as well corrected as the Leica equivalents (having said that, the Voigtländer 40mm f/2 SL-II I’m using is very competent and compact).
For micro-contrast and tonality, CCD wins every time.
On the other hand, the Df has rock-solid reliable electronic guts (with robust processing power), does not feel like a beta product, and has an external ISO dial (I love this).
More photos to follow…
—Peter.
Soccer Girl.
Inspiration, Nikon, Nikon Df, Portrait, Sports, The Beautiful Game, Voigtländer 40mm f/2 SL-IIThe beautiful game.
2014, Favourite, Film, Inspiration, Kodak Tri-X 400, Leica M3, Portrait, Scanner - Plustek 120, Sports, Street, The Beautiful Game, Voigtländer 40mm f/1.4 NoktonLuiz Paulo featured in British Journal of Photography.
Inspiration, Q&AI am pleased to announce that Luiz Paulo, who’s outstanding photography has been shared on this very site, has been featured in the British Journal of Photography.
It’s a very poignant interview and the images on display do not include Luiz‘s beloved muse: his daughter. To find out why, and to view his images, please have a look here.
—Peter.
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Related articles:
Guest Post (2014): Luiz Paulo.
Featured Photographer (2013): Luiz Paulo.
Guest Post (2013): Luiz Paulo (Part 2).
Guest Post (2013): Luiz Paulo (Part 1).
Guest Post (2012): Luiz Paulo.
In Graphite.
2014, Favourite, Inspiration, Nikon Df, Portrait, Voigtländer 40mm f/2 SL-IIMr. Baseball.
2014, Favourite, Inspiration, Nikon, Nikon Df, Portrait, Sports, Voigtländer 40mm f/2 SL-IIJump Shot.
Film, Inspiration, Kodak Tri-X 400, Leica M3, Portrait, Scanner - Plustek 120, Sports, Voigtländer 40mm f/1.4 NoktonThat face in the crowd, Part 2.
Inspiration, Leica 50mm Summilux ASPH f/1.4, Leica M Type 240, Portrait, StreetBoy with Man Platter, on Velvet.
2014, Favourite, Film, Inspiration, Kodak Portra 400, Leica M3, Life's Little Moments, Portrait, Voigtländer 40mm f/1.4 NoktonWindswept.
Film, Inspiration, Kodak Tri-X 400, Mamiya 7/7II, Mamiya 80mm, Portrait, Scanner - Plustek 120That face in the crowd.
Inspiration, Leica 50mm Summilux ASPH f/1.4, Leica M Type 240, PortraitM240 gone. Again.
Inspiration, Leica M Type 240, Q&A, Teaching pointI have always shared my gear choices/changes freely, assuming it may help some of you considering camera A vs. camera B, or lens A vs lens B, etc. So, along that vein, and at the risk of inviting harsh commentary, I will disclose this:
I have parted, again, with the Leica M240.
Before the M240 was released, I made some predictions about its image quality. Specifically, I was concerned about base ISO performance vs. its predecessor, the M9. My concerns were borne out when I viewed the initial JPG images, and then again when I examined sample RAW files.
I posted both my predictions and subsequent analysis on this site.
Of course, some photographers shared my view, and some didn’t. Those who didn’t were critical of the fact that I hadn’t owned the camera and yet I was judging it. My rebuttal was that you don’t have to own a camera to judge its image quality.
Well, now I’ve owned it. Twice.
My honest opinion: I should have listened to myself.
I tried —I really tried — to make it work (those of you who follow this blog on a regular basis know this), because I really enjoyed the ergonomic improvements.
But I just couldn’t coax the look I wanted out of it.
—Peter.















