↑Nikon V1 and Nikon 18.5 @ f/1.8.
Author: Peter | Prosophos
Prosophos Film Contest: 10 Finalists.
Film, InspirationJust over a month ago, I announced my little Film Contest.
Many beautiful and diverse images were submitted, and for the last couple of days I’ve been reviewing them.
As you may recall, I asked each contestant to show me, in a single image, why he/she loves the medium of film. Almost all of the entrants fulfilled that request, but — alas! — I can only choose one winner for the 50 rolls of Tri-X 400.
Before I do that, however, I wanted to honour the 10 Finalists by displaying their images below:
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#1
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#2
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#3
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#4
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#5
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#6
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#7
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#8
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#9
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#10
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Please join me in thanking the talented photographers who created these 10 images.
The winner will be announced at some point this weekend.
I also would like to sincerely thank all of the individuals who participated in the contest.
—Peter.
The Mountie.
Inspiration, Leica 24mm Summilux ASPH f/1.4, Portrait, StreetStephen Bartels Gallery at Leica Store Mayfair, London.
InspirationThe Stephen Bartels Gallery is currently putting on a two-week exhibition at the Leica Mayfair Store in London, and all of the the photographers under the auspices of the SBG are being featured.
Mr. Bartels kindly sent me the above snapshot of one of my images, as it appears in the exhibit.
—Peter.
Stormy Eyes.
Inspiration, Nikon, Nikon 1 10mm f/2.8, Nikon 1 V1The chase.
Inspiration, Leica 75mm Summarit f/2.5, Leica M9(P)/M-E (CCD Lives!), Portrait, Sports, The Beautiful GamePart of The Beautiful Game.
This was taken using one of the best lenses in the current Leica line-up: The 75mm Summarit (f/2.5).
—Peter.
↑Leica M9 and Leica 75mm Summarit @ f/2.5.
The Beautiful Game.
Favourite, Inspiration, Leica 50mm Noctilux f/0.95, Leica M9(P)/M-E (CCD Lives!), Portrait, Sports, The Beautiful GameBirthday Girl.
2013, Favourite, Inspiration, Leica 50mm Noctilux f/0.95, Leica M9(P)/M-E (CCD Lives!), Portrait645.
Inspiration, Q&A, Teaching pointRecently, I asked the question: How large a print can you make from a Leica M9 file?
For my purposes (portraiture and simple element scenes), the answer turns out to be 36 x 24 inches:
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I thought about this some more, and realized that it would be interesting to see how much of a magnification over the Leica M9 sensor those prints above represent. If you want to skip the math below, the answer turns out to be 645!
Here’s the math:
The Leica contains a so-called “full frame” sensor that is exactly 36 x 24 mm in size (that’s where the 36 x 24 comes from).
The area of this sensor
= 36 x 24 mm
= 864 mm2
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The prints I made were 36 x 24 inches.
In the equivalent (metric) mm, this translates to
= 914 x 609.6 mm
=557, 174.4 mm2
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The magnification of print-over-sensor area, therefore
= 557,174.4/864
= 645
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This is remarkable when you think about it. The digital sensor (about the size of a stamp — remember those?) produces an image which is then magnified 645 times to produce the prints you see above.
Proportionally, this is what is going on:
All of the above underscores the importance of technique, lens quality, etc., when photographing with the aim of producing large prints: any “error” will be magnified 645 times!
Of course, you always have the option of turning to the much larger and more forgiving medium format sensors, but that’s another story…
—Peter.
Prosophos Images on display at the Stephen Bartels Gallery!
Inspiration, Q&AI am very pleased to announce that my work is now being featured at the Stephen Bartels Gallery in London, England.
It is an honour to be part of the distinguished group of photographers Stephen has pulled together under the auspices of the SBG.
If you find yourself in London, please drop by Stephen’s fine gallery and have a look at the amazing images on display. And, if you happen to spot my humble contributions, please feel free to take a picture and send it my way ;).
—Peter.
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Eyes.
2013, Favourite, Inspiration, Leica 50mm Noctilux f/0.95, Leica M9(P)/M-E (CCD Lives!), PortraitA & B Falls.
Inspiration, Print, Zeiss ZM 21mm f/2.8 T* Biogon36 x 24.
Inspiration, Leica 24mm Summilux ASPH f/1.4, Leica 50mm Noctilux f/0.95, Portrait, Q&A, Teaching pointHow large a print can you make from an M9 file?
Well, the largest I’ve printed for clients is 36 x 24 inches:
Even at this large a size, the detail from the M9 and the 50mm Summilux combo used to create the image above is impressive.
However, yesterday I tried doing this for the first time with two other lenses: the 24mm Summilux (f/1.4) and and the 50mm Noctilux (f/0.95). Truth be told, I wasn’t expecting anything near as good as what I get from the technically brilliant 50 Summilux ASPH.
We’ll I’m happy to report that I was wrong. They not only did well, they did exceptionally well — I was astounded to see how much detail the 24 Summilux and 50 Noctilux produce at their widest apertures.
But in the age of phone and tablet image viewing, most people will never encounter an actual print, let alone a 36 x 24 print. So what does 36 x 24 actually look like? I thought I’d show you with a little demonstration:
(please click on the image to view at MAXIMUM size and detail)
—Peter.
Face painting.
2013, Favourite, Inspiration, Leica 50mm Noctilux f/0.95, Leica M9(P)/M-E (CCD Lives!), Photo Shoot, Portrait, Q&A, Teaching pointThe Photographer and the Dying light, revisited.
2013, Favourite, Inspiration, Leica 24mm Summilux ASPH f/1.4, Leica M9(P)/M-E (CCD Lives!), Port Elgin, PortraitPieces of you.
Inspiration, Leica 24mm Summilux ASPH f/1.4, Portrait, PrintThe Prosophos film contest: 12 days left!
Film, Inspiration, Q&AHere are the details:
Send me your best film image before the deadline of September 5th for a chance to win 50 rolls of Trix-X film!
—Peter.
Guest Post: Afghan Family Life in the 1960s.
Film, Guest Post, InspirationEarlier this week, Gullalai Salimi forwarded these photographs to me. They were taken by her late father, back when Gullalai was a child growing up in Afghanistan. Afghan society was more tolerant in the 1960s, and so the country she knew 50 years ago bears little resemblance to the modern-day incarnation.
With her permission, I digitally scanned Gullalai‘s original film photographs and decided to post the images here because I thought they may be of general interest to the viewership of this site.
—Peter.
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