Print

Goodnight and Goodbye (Quebec City).

2016, Beyond 200 feet of My House™, Favourite, Inspiration, Leica 35mm Summilux ASPH FLE f/1.4, Leica M9(P)/M-E (CCD Lives!), Life's Little Moments, Print, The Great Canadian East Coast Road Trip of 2016

There are moments in life when you’re about to turn a corner, but you stop to look behind you.

Because you know it’s your last look.

—Peter.

Goodnight and Goodbye (Quebec City)

↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 35mm Summilux ASPH FLE.

Pier to Nowhere.

2016, Favourite, Film, Inspiration, Kodak Tri-X 400, Minolta Autocord CDS III 75mm Rokkor f/3.5, Print, Scanner - Plustek 120

“Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever… it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off–then, I account it high time to get to sea as soon as I can.”

―Herman Melville, Moby-Dick; or, The Whale.

Pier to Nowhere

Close Connection.

Film, Inspiration, Kodak Tri-X 400, Minolta Autocord CDS III 75mm Rokkor f/3.5, Print, Q&A, Rolleinar 2, Scanner - Plustek 120, Teaching point

There’s another close connection going on here…

I’ve attached a Rolleinar 2 close-up lens kit to the Minolta Autocord to get this shot.

This is the first test image with the combination.  The buttery-smooth bokeh of the Rokkor f/3.5 is impressive, given the concomitant sharpness in the in-focus areas.  It’s one of the reasons I sought out the Autocord in the first place.  It’s rare to find such sharp-but-smooth rendering — often you only get to have one of these attributes in a lens.  The only other lenses I know of that are as well balanced are the Leica 50mm Summilux ASPH and the Mamiya RZ 110/2.8.

—Peter.

Close Connection