↑Leica M3, 50mm Summilux ASPH @ f/1.4, and Kodak Tri-X 400.
Film
Growing up.
2017, Favourite, Film, Inspiration, Kodak Portra 800, Leica 50mm Summilux ASPH f/1.4, Leica M3, Life's Little Moments, Portrait, Within 200 feet of My House™Turning the corner, again.
2017, Beyond 200 feet of My House™, Favourite, Film, Inspiration, Kodak Portra 400, Mamiya 65mm, Mamiya 7/7II, Portrait, StreetThis is a revisiting of a similar shot, taken with much different equipment, on a different day.
—Peter.
↑Mamiya 7 + 65mm + Kodak Porta 400.
Downtown.
2017, Beyond 200 feet of My House™, Favourite, Film, Inspiration, Kodak Portra 400, Mamiya 65mm, Mamiya 7/7II, Print, StreetBoy.
2017, Favourite, Film, Inspiration, Kodak Portra 400, Mamiya RZ 110mm F/2.8, Mamiya RZ67 Professional Pro II, Portrait, Within 200 feet of My House™Waiting.
2017, Favourite, Film, Inspiration, Kodak Portra 800, Leica 50mm Summilux ASPH f/1.4, Leica M3, Portrait, Within 200 feet of My House™Reflection.
2017, Favourite, Film, Inspiration, Kodak Portra 800, Leica 50mm Summilux ASPH f/1.4, Leica M3, Portrait, Within 200 feet of My House™Test shot #3 from my 1957 Leica M3 DS.
—Peter.
↑Leica M3, 50mm Summilux ASPH @ f/1.4, and Kodak Portra 800.
Grace.
2017, Favourite, Film, Inspiration, Kodak Portra 800, Leica 50mm Summilux ASPH f/1.4, Leica M3, Portrait, Within 200 feet of My House™Test shot #5 from my 1957 Leica M3 DS.
—Peter.
↑Leica M3, 50mm Summilux ASPH @ f/1.4, and Kodak Portra 800.
Real.
2017, Favourite, Film, Kodak Portra 800, Leica 50mm Summilux ASPH f/1.4, Leica M3, Portrait, Q&A, Teaching point, Within 200 feet of My House™Test shot #1 from my 1957 Leica M3 DS.
I think the shutter speeds are off as most of the images in this first roll of film appear underexposed. Yet some look fine, so I’m at a loss.
I’m using Kodak Portra 800 here, which is more grainy than Portra 400, but I have a nagging feeling…
Anyway, I’ll take a grainy film image like this over the most polished digital equivalent any day.
Something more real about it.
—Peter.
↑Leica M3, 50mm Summilux ASPH @ f/1.4, and Kodak Portra 800.
Boy, revisited.
2017, Favourite, Film, Inspiration, Kodak Portra 400, Mamiya RZ 110mm F/2.8, Mamiya RZ67 Professional Pro II, Portrait, Within 200 feet of My House™1957 Leica M3.
Film, Inspiration, Leica M3, Q&A, Teaching pointThe Leica M3 was manufactured between 1954 and 1967.
Many collectors favour M3s with high serial numbers (1 000 0000 and up), or — at the other end of the spectrum — the first 1 000 ones made (with serial numbers 700 XXX). The first group are valued because they are thought to represent “perfected” late production examples, but as you will see below, that is a matter of perspective. The second group are coveted because, well… they were the first ones produced.
As a photographer however, my favourite M3s are the ones from the year 1957 (specifically the subset with serial numbers between 854 00 – 858 000) because they combine the best features of both early and late M3 bodies.
Specifically, the qualities of 1957 M3s that I value are:
Double stroke (DS) film advance levers with shorter arms. The shorter arms allow you to advance the film while holding the camera with one hand.
Modern shutter speeds (earlier models have the less-convenient older speeds: 1, 1/2, 1/5, 1/10, 1/25, 1/50, 1/100, 1/200…).
Silent return on the film advance lever (later models produce a ratcheting sound when returning).
Buddha (aka “Rabbit Ear”)-style lugs riveted (not screwed) to camera — no loosening or spinning of lugs.
Back door pin that allows it to securely click shut, preventing the door from inadvertently flapping open when changeing film (only available in cameras with serial numbers between 854 000 – 858 000).
Frame selector preview lever, which was not present in earlier models.
Double glass-reinforced eyepiece (later models have a single layer only).
—Peter.


















