Features desirable in a new generation digital M rangefinder.

Inspiration, Q&A, Teaching point
  1. Minimal shutter lag.

This is essential for capturing the decisive moment.

The classic (film) rangefinders have extremely brief shutter lag times (msec):

Leica M3         16

Leica M7         12

Compare this to the following digital rangefinders, which have much longer shutter lags (msec):

Leica M8         80

Leica M9         80

(source: Wikipedia)

 

  1. Optical vs. Electronic Viewfinder (OVF vs. EVF).

My preference would be to have the OVF retained.

If the decision is made to move to an EVF (to improve focusing accuracy, avoid the rangefinder drift that plagues current rangefinders, etc.) the following criteria should be met:

  • The view should consist of a simple outlay free of visual clutter, distracting blinking lights, etc. Ideally, only the framelines should appear (or, at least, the option should exist to turn off all displays so that only the framelines appear).
  • No perceptible EVF lag through a wide range of light (bright to dim).  I don’t believe current technology is able to address this satisfactorily yet, hence one of the several reasons the OVF is still favoured by many.

 

  1. Robust build.

Reliability is a priority.  This should be the minimum expectation for a luxury/professional camera.

Moisture sealing.  The expectation is not that it should be as impervious to the elements as a professional DSLR, because that would add too much bulk/weight, but that it should be able to withstand water spills, light rain, etc.).

Excellent battery life.  With current technology, this may necessitate a slight increase in the size of the camera thickness (for example thicker than the Leica M10) to accommodate a larger battery.  However, this is an acceptable trade-off given the benefit of longer battery life.  Also it is unrealistic to expect film-era camera body thickness in a digital M when modern lenses themselves have also grown in size and weight as compared to their film era progenitors.  The camera body-lens pairing should balance nicely to avoid grip fatigue, etc.

 

  1. Quick operation.

Current frame rates are acceptable for a rangefinder.

However, shorter card-writing times and larger buffers are always welcomed.  This too may require a slightly thicker M to enable adequate heat dissipation.

The ability to review photos quickly, at 100% magnification (with the touch of one button) to be able to quickly verify focus, and to maintain 100% view while scrolling through a sequence of images, etc would be desirable.

 

  1. (Bonus)… this is unrelated to the M line of cameras but will be arbitrarily included in this list:

A large (medium format) digital sensor rangefinder would be desired by many current M photographers.

This is best envisioned as a modern day Mamiya 7 but with a digital sensor.

The rangefinder format would allow for minimal camera size (width).

Together with manual focusing lenses built to the same quality/performance as M lenses this would offer an extremely desirable level of image quality.

However, it must be conceded that pricing for such a system would potentially place it out of the financial reach of a significant proportion of photographers/consumers.

In that case, a fixed-lens version (along the lines of the Leica Q but with the aforementioned medium format sensor) may be a more viable (attractively-priced) option.  A design of this type (fixed lens matched to the sensor) would also potentially allow for a smaller lens size, since custom software corrections for lens design compromises would be possible (again, akin to the Leica Q).

 

—Peter.

One hour with the Leica 28mm Summilux ASPH (Micro Review).

2017, Beyond 200 feet of My House™, De Mello Palheta Coffee Roasters, Favourite, Inspiration, Leica 28mm Summilux ASPH, Leica M9(P)/M-E (CCD Lives!), Photo Shoot, Portrait, Q&A, Teaching point

I had the pleasure of using the Leica 28mm Summilux ASPH today.

The verdict:  this lens is okay.

Technical notes:

  • Purple fringing.  Like most fast lenses shot wide open against objects with high contrast edges, undesirable purple fringing is elicited.  This was present in the first image below but was removed during post-processing.
  • Distortion.  There’s very little.  I assume that in a wide-ish f/1.4 lens like this it exists but I didn’t see any obvious sign of it.  In fact, all of the photographs below are uncorrected.
  • Size.  Bigger and heavier than the the 35mm Summilux FLE, as expected.  However, some of the reviews I read about the 28 ‘Lux led me to believe the additional weight was negligible but I was definitely conscious of it while photographing.
  • Sharpness.  Excellent at f/1.4 …and it gets better from there.
  • Bokeh.  I didn’t have enough time for rigorous evaluation of out-of-focus rendering; having said that, I didn’t see any objectionable qualities in this respect.
  • Usability/Miscellaneous.  The lens barrel has a focus tab, which I like.    The hood is the same screw-it-on-and-it-stops-just-where-it-should type found on the 35mm Summilux FLE and 21mm f/3.4 Super-Elmar, which I also like.

—Peter.

Leica M9 (CCD Lives!Prosophos Open Letter to Leica) + Leica 28mm Summilux ASPH.

Last call for Centreville at Centre Island.

2017, Beyond 200 feet of My House™, Favourite, Inspiration, Leica 75mm Summarit f/2.5, Leica M9(P)/M-E (CCD Lives!), Life's Little Moments, Portrait

We had record-breaking rainfall this year and Centre Island was closed for visitors, up until very recently, because of flooding.

Today, we were finally able to make our annual trek to the Centreville theme park located there.

I know the kids have outgrown this place.  They know it too.

This was the last call.

—Peter.

↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica Leica 75mm Summarit f/2.5.

Birthday Blink.

2017, Favourite, Film, Inspiration, Kodak Portra 400, Mamiya RZ 110mm F/2.8, Mamiya RZ67 Professional Pro II, Portrait, Q&A, Within 200 feet of My House™

Last week, I took this photograph of my daughter to mark her 12th birthday.

But the image was created with film, so I didn’t know until yesterday that she had accidentally blinked (the loud shutter noise of the big Mamiya RZ67 is often startling).

I’m posting the image anyway because it’s painterly and beautiful and because I want you to know how much it’s killing me, LOL.

—Peter.

↑Mamiya RZ67 + Mamiya 110mm f/2.8 + Kodak Portra 400.