↑Leica M9 and Leica 75mm Summarit @ f/2.5.
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If you haven’t already done so, please consider signing my open letter to Leica.
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Related posts:
↑Leica M9 and Leica 75mm Summarit @ f/2.5.
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If you haven’t already done so, please consider signing my open letter to Leica.
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___
Related posts:
Last year’s image, taken from the same spot, may be found here.
↑Leica M9 and Leica 50mm Summilux ASPH @ f/4.
↑Leica M3, Voigtländer Nokton 40mm, and Kodak Tri-X 400.
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This photo was chosen as a Leica Fotografie International (LFI) Master Shot:
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It’s February 9th, 2014.
That’s today.
My wife and I are rushing to get Hockey Girl ready for her early game, and we’re running late.
I notice it’s snowing outside and the light looks magical.
I turn to my wife, and she immediately understands.
She says, “5 minutes”.
I run upstairs to grab the Mamiya, which is already loaded with Kodak Tri-X 400.
Hockey Girl and I go outside, and I shoot a few frames.
This is one of them.
As it turns out…
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↑Mamiya RZ67, Mamiya 110mm @ f/2.8, and Kodak Tri-X 400.
Here is my first image from the first roll of Kodak Tri-X 120 put through the Mamiya RZ67.
I self-processed the film at home like this, and self-scanned on an Epson V700.
Looking at the tonality of this image, I want to weep tears of joy.
Nothing I’ve experienced with digital comes close.
People, all these years we have been duped.
Instead of constantly upgrading e-cameras,
We could have had this all along.
And now film is dying.
Shame on us.
—Peter.
↑Mamiya RZ67, Mamiya 110mm @ f/2.8, and Kodak Tri-X 400.
This result is certainly better than what I obtained on my first attempt.
Incidentally, this image illustrates the close-up focusing ability of the Mamiya RZ67 (courtesy of its bellows focusing).
Unfortunately, with the 110mm lens (equivalent to roughly 55mm in 35mm format), photographing this closely introduces some undesirable distortion.
—Peter.
↑Mamiya RZ67, Mamiya 110mm @ f/2.8, and Fuji FB-3000.