↑Mamiya RZ67, Mamiya 110mm @ f/4, and Kodak Tri-X 400.
Portrait
Lip Synch 2014.
Inspiration, Leica 50mm Summilux ASPH f/1.4, PortraitApparitions in the Apparatus.
Inspiration, Leica 75mm Summarit f/2.5, Portrait, Print, Street↑Leica M9 and Leica 75mm Summarit @ f/2.5.
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If you haven’t already done so, please consider signing my open letter to Leica.
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Related posts:
Floating.
2014, Barbados, Favourite, Inspiration, Leica 50mm Summilux ASPH f/1.4, PortraitTaxi Man.
2014, Barbados, Favourite, Inspiration, Leica 24mm Summilux ASPH f/1.4, Portrait, StreetSmile, Smile in the Sunshine.
2014, Barbados, Favourite, Inspiration, Leica 50mm Summilux ASPH f/1.4, PortraitEnnui.
2014, Barbados, Favourite, Inspiration, Leica 50mm Summilux ASPH f/1.4, PortraitLast year’s image, taken from the same spot, may be found here.
↑Leica M9 and Leica 50mm Summilux ASPH @ f/4.
Happy.
2014, Barbados, Favourite, Inspiration, Leica 50mm Summilux ASPH f/1.4, PortraitTender is the Knight.
2014, Favourite, Film, Inspiration, Kodak Tri-X 400, Leica M3, Portrait, Scanner - Plustek 120, Voigtländer 40mm f/1.4 Nokton↑Leica M3, Voigtländer Nokton 40mm, and Kodak Tri-X 400.
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This photo was chosen as a Leica Fotografie International (LFI) Master Shot:
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Water Forms.
2014, Barbados, Favourite, Inspiration, Leica 24mm Summilux ASPH f/1.4, PortraitThe Sunset Man.
2014, Barbados, Favourite, Inspiration, Leica 50mm Summilux ASPH f/1.4, Portrait, StreetHockey Girl.
2014, Favourite, Film, Hockey, Inspiration, Kodak Tri-X 400, Mamiya RZ 110mm F/2.8, Mamiya RZ67 Professional Pro II, Portrait, Scanner - Plustek 120It’s February 9th, 2014.
That’s today.
My wife and I are rushing to get Hockey Girl ready for her early game, and we’re running late.
I notice it’s snowing outside and the light looks magical.
I turn to my wife, and she immediately understands.
She says, “5 minutes”.
I run upstairs to grab the Mamiya, which is already loaded with Kodak Tri-X 400.
Hockey Girl and I go outside, and I shoot a few frames.
This is one of them.
As it turns out…
Hockey Girl goes on to score her first ice hockey goal, ever.
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↑Mamiya RZ67, Mamiya 110mm @ f/2.8, and Kodak Tri-X 400.
After the sunset.
2014, Barbados, Favourite, Inspiration, Leica 24mm Summilux ASPH f/1.4, Life's Little Moments, PortraitSmile.
Film, Inspiration, Kodak Tri-X 400, Mamiya RZ 110mm F/2.8, Mamiya RZ67 Professional Pro II, Photo Shoot, Portrait, Q&A, Teaching pointHere is my first image from the first roll of Kodak Tri-X 120 put through the Mamiya RZ67.
I self-processed the film at home like this, and self-scanned on an Epson V700.
Looking at the tonality of this image, I want to weep tears of joy.
Nothing I’ve experienced with digital comes close.
People, all these years we have been duped.
Instead of constantly upgrading e-cameras,
We could have had this all along.
And now film is dying.
Shame on us.
—Peter.
↑Mamiya RZ67, Mamiya 110mm @ f/2.8, and Kodak Tri-X 400.
Test Shot 2 – Mamiya RZ67.
Film, Fujifilm FP-3000B, Inspiration, Mamiya RZ 110mm F/2.8, Mamiya RZ67 Professional Pro II, PortraitThis result is certainly better than what I obtained on my first attempt.
Incidentally, this image illustrates the close-up focusing ability of the Mamiya RZ67 (courtesy of its bellows focusing).
Unfortunately, with the 110mm lens (equivalent to roughly 55mm in 35mm format), photographing this closely introduces some undesirable distortion.
—Peter.
↑Mamiya RZ67, Mamiya 110mm @ f/2.8, and Fuji FB-3000.




















