Last year’s image, taken from the same spot, may be found here.
↑Leica M9 and Leica 50mm Summilux ASPH @ f/4.
Last year’s image, taken from the same spot, may be found here.
↑Leica M9 and Leica 50mm Summilux ASPH @ f/4.
↑Leica M3, Voigtländer Nokton 40mm, and Kodak Tri-X 400.
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This photo was chosen as a Leica Fotografie International (LFI) Master Shot:
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It’s February 9th, 2014.
That’s today.
My wife and I are rushing to get Hockey Girl ready for her early game, and we’re running late.
I notice it’s snowing outside and the light looks magical.
I turn to my wife, and she immediately understands.
She says, “5 minutes”.
I run upstairs to grab the Mamiya, which is already loaded with Kodak Tri-X 400.
Hockey Girl and I go outside, and I shoot a few frames.
This is one of them.
As it turns out…
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↑Mamiya RZ67, Mamiya 110mm @ f/2.8, and Kodak Tri-X 400.
Last night before the end of Christmas break, and everyone is ready to go back… to bed.
↑Leica M9 and Leica 24mm Summilux @ f/2.
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If you haven’t already done so, please consider signing my open letter to Leica.
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Related posts:
As has become an annual ritual (and learning process) for me, I recently reviewed my images from this past year.
What follows are my favourites — my “31 of ’13“. They are presented in no particular order, but each one stood out for me.
I also want to take this moment to thank you for your overwhelming support of my endeavours on this site. Each day, I look forward to reading and responding to your comments, and I look ahead to 2014 with much optimism, and inspiration.
Thank you,
—Peter.
P.S. The images below are dedicated to my grandmother, Thecle, who looked after me with infinite love when I was a child, and who passed away this year. Love you forever, my Yiayia.
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(Leica M3, Leica 35mm Summilux ASPH FLE, Kodak Tri-X 400)
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(Leica M9 and Leica 50mm Summilux ASPH)
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(Leica M9 and Leica 50mm Summilux ASPH)
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(Leica M9 and Leica Noctilux 0.95)
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(Leica M9 and Leica Noctilux 0.95)
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(Leica M9 and Leica 24mm Summilux ASPH)
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(Leica M9 and Leica 24mm Summilux ASPH)
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(Leica M9 and Leica 24mm Summilux ASPH)
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(Leica M9 and Leica 50mm Summilux ASPH)
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(Leica M9 and Leica 24mm Summilux ASPH)
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(Leica M9 and Leica 50mm Summilux ASPH)
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(Leica M9 and Leica Noctilux 0.95)
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(Leica M9 and Leica 50mm Summilux ASPH)
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(Leica M9 and Leica 50mm Summilux ASPH)
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(Leica M9 and Leica 75mm Summarit)
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(Leica M9 and Leica 50mm Summilux ASPH)
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(Leica M9 and Leica Noctilux 0.95)
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(Leica M9 and Leica 50mm Summilux ASPH)
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(Leica M9 and Leica 75mm Summarit)
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(Leica M9 and Leica 50mm Summilux ASPH)
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(Leica M9 and Leica Noctilux 0.95)
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(Leica M9 and Leica 50mm Summilux ASPH)
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(Leica M9 and Leica 50mm Summilux ASPH)
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(Leica M9 and Leica 24mm Summilux ASPH)
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(Leica M9 and Leica 50mm Summilux ASPH)
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(↑Leica M3, Leica 50mm Summicron Rigid @ f/2, Kodak Tri-X 400)
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(Leica M9 and Leica 24mm Summilux ASPH)
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(Leica M9 and Leica 24mm Summilux ASPH)
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(Leica M9 and Leica 50mm Summilux ASPH)
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(Leica M9 and Leica 24mm Summilux ASPH)
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(Leica M9 and Leica 24mm Summilux ASPH)
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Related posts:
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Please show your appreciation!
If you’ve been inspired by these images, or any of my articles, please consider making a contribution to help me run this site. Whether it’s $5, $10, or $15… it all helps.
This site is a labour of love, but any help I receive will help me devote more time to running it.
Thanks,
—Peter.
Little murmurings, and stories. Fragments. The voices ebb and flow in the coziness of a darkened living room.
From outside, faint light enters and simultaneously recedes.
Inside, souls commingle.
Interweave.
—Peter.
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↑Leica M9 and Leica 50mm Summilux @ f/1.4.
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If you haven’t already done so, please consider signing my open letter to Leica.
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Related posts: