The identity of Undisclosed Lens #7.

2018, 7Artisans 50mm f/1.1, Inspiration, Leica M10, Print, Q&A, Teaching point

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Undisclosed Lens #7 is:

The 7Artisans 50mm f/1.1 (Leica M mount)

The comparison test I posted yesterday revealed something unexpected: the minimum focus distance is greater than the advertised 0.7 m (either that or my Leica 50mm Summilux ASPH focuses closer than 0.7 m, which is unlikely).  I hadn’t noticed it until I ran the head-to-head comparison and found that I couldn’t get as close with the 7Artisans as I could with the Leica.

Other than that (disappointing) surprise, I have been satisfied with the 7Artisans 50mm f/1.1.  It’s an interesting lens that has polarized photographers’ opinions of it (although some have passed judgment without actually laying their hands on one).   The mini-controversy surrounding it was the main reason I wanted to post images without first identifying the lens.

Those who criticize this 7Artisans lens I think miss the point.  In my case, I bought it hoping for a dreamy look (for lack of a better phrase) that the technically more capable 50 ‘lux does not as readily provide.

Moreover, having previously owned the Leica f/1 Noctilux (a lens also known for its dreamy look), I would say that the 7Artisans 50mm f/1.1 compares quite favourably and it would, in fact, be my choice between the two.

—Peter.

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Examples of recent images:

 

 

 

 

Test: Leica 50mm Summilux vs. Undisclosed Lens #7.

2018, 7Artisans 50mm f/1.1, Inspiration, Leica 50mm Summilux ASPH f/1.4, Leica M10, Q&A, Teaching point

Leica 50mm Summilux ASPH vs. Undisclosed Lens #7.

(EDIT January 4, 2018:  I have revealed the identify of Lens #7 here.)

  • Both lenses mounted on a Leica M10
  • @ f/1.4
  • @ minimum 0.7 m focus distance (nonetheless, notice the field of view difference)
  • Identical default sharpening settings in Lightroom
  • No post-processing (nonetheless, notice colour differences)

 

Entire scene (please click on image to enlarge):

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100% centre crop (please click on image to enlarge):

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Which one is “superior”?:

Clearly the Leica 50mm Summilux ASPH.

Will I still continue to use Undisclosed Lens #7?:

Yes.  I value this lens for its “flaws”.

—Peter.

Film Photographers Rejoice! New Plustek OpticFilm 120 Pro Film Scanner.

Inspiration, Q&A, Teaching point

I’m sure a few of you already know this, but for those of you who don’t, Plustek is introducing an updated version of its OpticFilm 120 film scanner.  The new scanner is called the Plustek OpticFilm 120 Pro.

I asked for an improved version of the 120 a year-and-a-half ago and it looks like Plustek has come through.

Having owned several Plustek dedicated film scanners, I can say that I have been satisfied with their products (and consider them superior to flatbed scanners) but would of course welcome improvements in ease of use, precision, speed, resolution, and dynamic range.

Therefore, I am really looking forward to seeing this new scanner in action.

EDIT (September 14, 2020):  Well, here we are, almost two years later, and no scanner is to be found.  I guess Plustek abandoned their plans?

EDIT (September 20, 2020):  Ha ha!… I should have waited 6 more days before that first edit.  It’s here!  See the comments section!

—Peter.