Thinking out-loud/on-line, and sharing one of my edits.
Generally speaking, I dislike making digital look like film. If that was my goal, I’d just shoot film.
However, in light of the comment(s) that followed the first version of this image, I’m curious to know how this version is received. In addition to not-so-subtly adding grain, I subtly played with the contrast (both local and global). The end result is less perfect, but possibly more aesthetically pleasing.
You tell me.
—Peter.
Alone, together.
Just your typical Sunday afternoon in Toronto (in February).
This shot required the removal of my gloves… and I paid for it (I was not made for Canadian winters).
But it was worth it.
—Peter.
… when I started a thread about My Open Letter to Leica in the Leica User Forum.
And yes, I violated Rule #8 of My Photography Truths again.
On a related note, let’s re-visit this previous post (just for fun).
—Peter.
I’m slowly refining my processing of Sigma Merrill files.
—Peter.
–
The world’s longest-running (and most intense) Open Letter to Leica has reached a milestone:
It’s true, 400 photographers, enthusiasts, and artists agree: we love CCD!
Specifically, we believe that the CCD sensor — at base ISO — offers superior image quality.
We also believe that an updated CCD sensor in a future Leica M camera would be in keeping with Leica‘s philosophy of providing out-of-the-mainstream elegant yet powerful photographic tools for discerning photographers.
So help keep the pursuit of high image quality alive by allowing CCD to develop and thrive.
Keep the momentum going! Encourage others to PLEASE SIGN THIS LETTER.
—Peter.
Spot her if you can 🙂
—Peter.
I tweaked the colour — to remove the green tint — as recommended by the demanding viewers of this free blog.
—Peter.
I’m quickly learning how to process Sigma DP3 Merrill files.
For example, I’m constantly resisting the temptation to apply sharpening, since the images have an abundance of sharpness and micro-contrast (two qualities that are not necessarily flattering for portraits).
Yet, this particular image proves one thing: it is possible to post-process DP3 files to produce a sharp and smooth portrait.
Oh, and the tonality possible with the Foveon sensor… wow.
—Peter.
↑ Sigma DP3 Merrrill: 1/15 sec (hand-held, but braced), f/2.8, ISO 200.
