I think they spotted me.
—Peter.

↑ Leica M2-R, Voigtländer 50mm Nokton f/1.5 ASPH, Kodak Portra 400, and Plustek 8200i.
I think they spotted me.
—Peter.

↑ Leica M2-R, Voigtländer 50mm Nokton f/1.5 ASPH, Kodak Portra 400, and Plustek 8200i.

↑ Leica M2-R, Voigtländer 50mm Nokton f/1.5 ASPH, Kodak Portra 400, and Plustek 8200i.
It’s intense.
Technical: 1/60 sec | artificial light.
—Peter.

↑ Leica M2-R, Voigtländer 50mm Nokton f/1.5 ASPH, Kodak Portra 400, and Plustek 8200i.
This shot represents the last frame from the roll of film I mentioned in yesterday’s post. There’s some lens flare (or possibly reflections off the filter?) present, which was a bit of surprise.
I had initially attempted to photograph the same scene with the GFX 100S, but its autofocus system was fooled by the back-lighting, and it just kept locking on to the plant by the window.
Manually focusing a 50+ year old rangefinder camera solved the problem 🙂
—Peter.
P.S. I’m still enjoying the 100S. It’s the best digital camera I’ve had since the M9.

↑ Leica M2-R, Voigtländer 50mm Nokton f/1.5 ASPH, Kodak Portra 400, and Plustek 8200i.
…or “The Forgotten Film Portrait“.
This is from a roll of film that I started back in the winter. It’s been sitting in my camera for months, so today I decided to develop and scan it. The chemicals were prepared back in August (it’s the same chemistry I’ve been using all along), and the lens was untested up until this point. Given all of this, I wasn’t expecting much.
This is the first frame from the roll.
Damn.
Honestly, I don’t know why I bother shooting with anything else.
Don’t get me wrong, I could give you plenty of reasons why not to shoot with film:
And yet, let me repeat:
Damn.
First frame of the roll and I’m DONE.
—Peter.

↑ Leica M2-R, Voigtländer 50mm Nokton f/1.5 ASPH, Kodak Portra 400, and Plustek 8200i.
Or:
As you can tell, this image was taken in December. That’s when I started shooting this roll of film — a roll of film I just couldn’t finish off no matter how hard I tried. Call it a lack of motivation or just a copious serving of laziness.
Anyway, I wasn’t sure how it was all going to turn out because I chanced two things here:
I usually like to minimize the presence of variables but this time I introduced two.
Fortunately, everything looks good.
—Peter.
↑ Leica M2-R, Voigtländer 35mm Ultron f/1.7, Kodak Portra 400, and Plustek 8200i.