Leica 50mm Summilux ASPH f/1.4

Easter Bunnies 2011, 2015, 2017.

2017, Beyond 200 feet of My House™, Favourite, Inspiration, Leica 21mm Super-Elmar ASPH f/ 3.4, Leica 50mm Summilux ASPH f/1.4, Leica M9(P)/M-E (CCD Lives!), Nikon 58mm f/1.2 NOCT, Nikon D3, Portrait

Intended to post this last month but… better late than ever.

—Peter.

2011:

↑Nikon D3 + Nikkor-Noct 58/1.2.

–

2015:

↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 50mm Summilux ASPH.

–

2017:

↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 21mm Super-Elmar ASPH.

Pensive.

2017, Favourite, Inspiration, Leica 50mm Summilux ASPH f/1.4, Leica M3, Portrait, Q&A, Teaching point, Within 200 feet of My House™

Test shot #9 from my 1957 Leica M3 DS.

Along with my subject, I’m pensive too, because I’m sending this camera for a CLA (the shutter speeds are clearly off… this image was underexposed by two stops and I had to “push” it in LR — hence the heavy grain).

And so now I’m back to contemplating the Ship of Theseus because I wonder:

Will my M3 be the same camera when it returns?  Will it continue to give me the sort of images I’ve seen from this first roll of film?

I don’t know, of course.  But I’ll keep you posted.

—Peter.

↑Leica M3, 50mm Summilux ASPH @ f/1.4, and Kodak Portra 800.

Real.

2017, Favourite, Film, Kodak Portra 800, Leica 50mm Summilux ASPH f/1.4, Leica M3, Portrait, Q&A, Teaching point, Within 200 feet of My House™

Test shot #1 from my 1957 Leica M3 DS.

I think the shutter speeds are off as most of the images in this first roll of film appear underexposed. Yet some look fine, so I’m at a loss.

I’m using Kodak Portra 800 here, which is more grainy than Portra 400, but I have a nagging feeling…

Anyway, I’ll take a grainy film image like this over the most polished digital equivalent any day.

Something more real about it.

—Peter.

↑Leica M3, 50mm Summilux ASPH @ f/1.4, and Kodak Portra 800.