Enveloped by the morning light.
The kind of light that gently sets everything aglow… including the silver halide crystals in this frame of B&W film.
(please click on the image to view)
↑Leica M3, Kodak Tri-X 400, and Leica 50mm Summilux ASPH @ f/1.4.
Took a roll of Kodak Tri-X to the kids’ ball game…
(please click on the image to view)
↑Leica M3, Kodak Tri-X 400, and Leica 50mm Summilux ASPH @ f/2.
My previous Worker images can be found here.
(please click on the image to view)
↑Leica M9 and Leica 50mm Summilux ASPH @ f/1.4.
Party.
(please click on the image to view)
↑Leica M9 and Leica 50mm Summilux ASPH @ f/1.4.
The beautiful light.
(please click on the image to view)
↑Leica M9 and Leica 50mm Summilux ASPH @ f/1.4.
On Victoria Day.
(please click on the images to view)
↑All images taken with the Leica M9 and Leica 50mm Summilux ASPH @ f/1.4.
Personified.
(please click on the image to view)
↑Leica M9 and Leica 50mm Summilux ASPH @ f/1.4.
(please click on the image to view)
Leica M2, Kodak Tri-X 400, and Leica 50mm Summilux ASPH @ f/1.4.
A superimposition of the reflected and the refracted.
(please click on the image to view)
↑Leica M9 and Leica 50mm Summilux ASPH @ f/1.4.
(please click on the image to view)
↑Leica M9 and Leica 50mm Summilux ASPH @ f/1.4.
(please click on the image to view)
↑Leica M9 and Leica 50mm Summilux ASPH @ f/1.4 + 3 stop ND filter.
I resisted the temptation to crop away the top and bottom portions and present this as a pseudo-panoramic horizontal strip… something about the original image (as presented here) appears very surreal, very much like a “dream”. Or perhaps a diorama.
(please click on the image to view)
↑Leica M9 and Leica 50mm Summilux ASPPH @ f/1.4 + 3 stop ND filter.
(please click on the image to view)
_
1st image (2010): Nikon D3S and Nikkor-NOCT 58mm @ f/1.2.
2nd image (2011): Leica M9 and Konica Hexanon 60mm @ f/1.2.
3rd image (2012): Leica M9 and Leica 50mm Summilux ASPH @ f/1.4.
Actually, this was captured this week… but something about him made me think of a bygone era.
I also could have called this Worker 11, as it follows my previous 10 Worker images.
In the past, I’ve sort of criticized the 50mm Summilux ASPH as being “too perfect” of a lens, but I love how it has rendered him, and this moment.
(please click on the image to view)
↑Leica M9 and Leica 50mm Summilux ASPH @ f/1.4.
Honey waking up, following an afternoon nap.
(please click on the image to view)
↑Leica M9 and Leica 50mm Summilux ASPH @ f/1.4.
