M240 Colour Images + More Mamiya!

Film, Inspiration, Kodak Tri-X 400, Leica M Type 240, Q&A, Teaching point

This weekend has been a good one, photographically speaking.  The weather has finally cooperated in Toronto and I’ve also had ample opportunity to photograph.

The upshot:  over the next few days, I’ll be posting several colour images I’ve taken with the M240.

To put this thing to rest, I’ll state upfront that I’m now reasonably pleased with the colours I’m getting.  Are they M9-like?  No, of course not.  The Kodak CCD sensors in the M9/M-E (and M8) are special (for many reasons), so if you’re interested in seeing an updated CCD sensor placed in a future M camera, you may want to consider signing my…

Open Letter to Leica

 

Prosophos Open Letter to Leica

 

 

And for those interested in film photography, I’ll be posting more images from that first test roll of Kodak Tri-X I shot with my recently acquired Mamiya 7II.

—Peter.

 

Eyes – Test Shot Portrait (Mamiya Tilt/Shift).

2014, Favourite, Film, Inspiration, Kodak Tri-X 400, Mamiya RZ 180mm F/4.5 Short Barrel, Mamiya RZ67 Professional Pro II, Mamiya Tilt/Shift Adapter, Portrait, Q&A, Scanner - Plustek 120, Teaching point

My first portrait using the Mamiya 180mm f/4.5 Short Barrel lens with the Mamiya Tilt/Shift Adapter.

I really should be supporting this heavy and unwieldy gear with a tripod, but I’ve avoided tripods all my life (ahhh the undisciplined life of a candid photographer).

Not bad though.  I see great potential with this set-up.

—Peter.

Eyes - Mamiya Tilt:Shift Adapter Test Shot

Springtime in Toronto, Part 2.

Film, Inspiration, Kodak Tri-X 400, Mamiya RZ 110mm F/2.8, Mamiya RZ67 Professional Pro II, Portrait, Q&A, Scanner - Plustek 120, Teaching point

You have to love this city and its weather 😉 .

This image was taken using the Mamiya 110/2.8 at its near focus limit; even at f/4 (the aperture used for this shot), the depth of field is quite thin — perhaps too thin for this portrait, since only the near eye is in focus.

Still, I like it.

The look of the Tri-X film and the bigger 6 x 7 “sensor” of medium format is quite remarkable.  Notice the true-to-life rendering of his face, texture of his hat, etc.  Currently, high-end 35mm digital cameras may be able to out-resolve this antiquated gear (at least using the scanner I’m using), but they cannot duplicate the look of this image.

—Peter.

Springtime in Toronto, Part 2