Once again, they will be the opening performers for their school Lip Synch show (tomorrow).
It’s the last year all three will be together at the same school.
—Peter.
Once again, they will be the opening performers for their school Lip Synch show (tomorrow).
It’s the last year all three will be together at the same school.
—Peter.
There’s something about the way the Sigma 35mm f/1.4 ART renders… photos from it just sparkle, for lack of a better word.
At this point, I think I may even prefer it over the Sigma 50mm f/1.4 ART, but I haven’t shot enough with either to draw any definite conclusions (though the fact that I might be favouring a 35 over a 50 is saying something, given I’ve traditionally been a 50 shooter).
Either way, both of these Sigma ART lenses are phenomenal. I can’t wait until springtime to get outside in good light and really play with them.
—Peter.
Sony refers to the aspherical elements in their newly released G Master lenses as: XA (extreme aspherical).
That’s a curious choice of nomenclature because it hints at the marketing of any future lens advances.
Perhaps eventually we may see “super-extreme aspherical” or “awesome-extreme aspherical” lenses.
Or they may just make the leap to “super-awesome-extreme aspherical”. That would be super and awesome and extreme.
Either way, what’s missing this time around are the racing stripes.
(sorry to pick on Sony, as it seems like all the manufacturers are going crazy with lens nomenclature these days)
—Peter.
Test shot portraits: the first in harsh artificial light last night; the second in natural light earlier today.
The focus is where I wanted it in the first, but I can’t say that about the second image (it is slightly front-focused). Perhaps I’m out of practice, perhaps my eyesight is starting to fail me, perhaps the rangefinder (or lens) is off.
I have no idea, because this is film.
And that’s the beauty of it.
—Peter.