Fujifilm FP-3000B

Glenfiddich Window Portrait (Tilt-Shift test shot).

Film, Fujifilm FP-3000B, Inspiration, Mamiya RZ 180mm F/4.5, Mamiya RZ67 Professional Pro II, Mamiya Tilt/Shift Adapter, Portrait, Print, Q&A, Teaching point

This is a test shot using my recently acquired used Mamiya tilt/shift accessory on Fuji instant (“Polaroid”) film.

No alcohol was harmed during the testing process.

Glenfiddich Window Portrait - Mamiya RZ Tilt-Shift Fuji Instant

↑Mamiya RZ67, Mamiya 180mm @ f/4.5, tilt/shift accessory, and Fuji FB-3000.

Test Shot 2 – Mamiya RZ67.

Film, Fujifilm FP-3000B, Inspiration, Mamiya RZ 110mm F/2.8, Mamiya RZ67 Professional Pro II, Portrait

This result is certainly better than what I obtained on my first attempt.

Incidentally, this image illustrates the close-up focusing ability of the Mamiya RZ67 (courtesy of its bellows focusing).

Unfortunately, with the 110mm lens (equivalent to roughly 55mm in 35mm format), photographing this closely introduces some undesirable distortion.

—Peter.

Test Shot 2

↑Mamiya RZ67, Mamiya 110mm @ f/2.8, and Fuji FB-3000.

Test Shot 1 (answer).

Film, Fujifilm FP-3000B, Inspiration, Mamiya RZ 110mm F/2.8, Mamiya RZ67 Professional Pro II, Q&A, Teaching point

The answer to my Guess Which Gear question is:

Mamiya RZ67 Professional Pro II and Mamiya RZ 110mm F/2.8, using Fujifilm FP-3000B (Poloraid-type) B&W film:

Mamiya RZ67 with Polaroid Back

As the name implies, the Mamiya RZ67 is a 6 x 7 film format system.  Its film “sensor” size can be appreciated by looking at this comparison:

PhotographsByPeter Sensor Size Mamiya vs 35mm

This is a modular system and the Polaroid film back provides less “sensor” size (and less image quality) than 120 film, but I purchased it along with the 120 film back so that I could get instant results and feedback.  As you can see from my first Test Image, I messed up on my initial settings  (I had the ISO on the camera set to 800, while the Fuji FP-3000B is pegged at ISO 3000) so it was a good thing the damage was limited to only one image vs. an entire roll of 120 Kodak Tri-X.

[Incidentally, Fuji has recently announced that it is discontinuing this film 😦 . There’s an online petition asking Fuji to bring back the FP-3000B and so far there are over 10,000 signatures.  You can still find it in stock, but prices have jumped quite a bit.  If you’re interested in using it, buy it while you can — and sign the petition!]

Knowing my love of small Leica rangefinders, why did I even look at this behemoth of a camera?   One word:  PORTRAITURE.

If you look at the sample images online, you will be amazed.  Hopefully, I will produce something worthy of this camera.  The gear, for me, will be relegated to formal shooting, which means I will seldom use it.  However, given how easily and inexpensively one can obtain such capable film-based medium format systems, the decision was easy.

As a side bonus of first using the Polaroid back on the Mamiya, my kids were amazed at seeing “the pictures come out of the camera, like in the old cartoons!“.  It’s great to see that in this age of digital wizardry, something as old as this can fire up their imagination.

Now… off to dig up my old film developing equipment and brush up on…

My Method for Processing B&W film

Thanks for your interest.

—Peter.