The Leica M3 was manufactured between 1954 and 1967.
Many collectors favour M3s with high serial numbers (1 000 0000 and up), or — at the other end of the spectrum — the first 1 000 ones made (with serial numbers 700 XXX). The first group are valued because they are thought to represent “perfected” late production examples, but as you will see below, that is a matter of perspective. The second group are coveted because, well… they were the first ones produced.
As a photographer however, my favourite M3s are the ones from the year 1957 (specifically the subset with serial numbers between 854 00 – 858 000) because they combine the best features of both early and late M3 bodies.
Specifically, the qualities of 1957 M3s that I value are:
Double stroke (DS) film advance levers with shorter arms. The shorter arms allow you to advance the film while holding the camera with one hand.
Modern shutter speeds (earlier models have the less-convenient older speeds: 1, 1/2, 1/5, 1/10, 1/25, 1/50, 1/100, 1/200…).
Silent return on the film advance lever (later models produce a ratcheting sound when returning).
Buddha (aka “Rabbit Ear”)-style lugs riveted (not screwed) to camera — no loosening or spinning of lugs.
Back door pin that allows it to securely click shut, preventing the door from inadvertently flapping open when changeing film (only available in cameras with serial numbers between 854 000 – 858 000).
Frame selector preview lever, which was not present in earlier models.
Double glass-reinforced eyepiece (later models have a single layer only).
—Peter.
Prosophos 
Some things are just awesome! This is one of those. I’m very happy you own it.
Well said Rene!
Thank you dear Andrew!
Thank you so much René!
In sum: The best of the best …
Correct!
Possibly the best camera ever made.
My top 5 would be 1) Leica M3
2) Rolleiflex 2.8f
3) Plaubel Makina 67
4) Mamiya 7
5) Leica M9
Very nice list! I agree with much of it, though I would never have thought of adding the M9 to it — yet it’s the camera that has given me the most pleasure and memorable photos over the years. So thank you for allowing me to add it to the “iconic camera” list.
One more thing: for me, the Mamiya RZ67 would be near the top. Together with the 110/2.8 lens, it represents the best portraiture-creating device I’ve ever used.
I agree with Rene…..some cameras are just awesome. The M3 is a marvel of engineering and ergonomics and film is a great sensor. I hope one day for Leica cameras to re-achieve that longer baselength rangefinder/viewfinder. Have fun with it as you retire….what did you call it….Mr. Scratchy? 🙂
Thank you my dear Karen… yes, Mr. Scratchy is long gone. Mr. “Last-M3-I-will-ever-own” is now “in the house”.
Wow. Congratulations. What a beauty. Life can be so simple. If only i could bring myself to ‘just’ own a m3 and one lens and a bag of film.. I would lay in the grass, look at the clouds pass by and than stroll with the family through the country and little towns and click at whatever my left brain is telling me..
Thank you Roel… I like your thinking 🙂
I’m afraid I’m haven’t simplified to that extent either… yet. My dream, ultimately, is just to shoot an M3 and 50 ‘cron (or ‘lux) and never look back!
I have never heard of this one. Specifications are still impressive, 60 years later! So I assume these go for a premium price?
No, people are more interested in the later 1,000,000+ serial numbered M3s. However, a lot of those later models borrowed parts/ideas from the M2 (manufactured between 1957 – 1968).
The M3s of this vintage represent the pinnacle of the M3 line.
Prices of these M3s will go up, now that I’ve posted this 🙂
Dear peter, can you please show me what you mean by “Double glass eyepieces with inner seal”?