They were found together on the pavement, on a rainy afternoon.
On a technical note, this particular shade of red reminds me very much of the native output of the M8; it apparently can be coaxed out of the M240 after some post-processing.
And on another note, this image marks the return for me of the Leica 50mm Summilux ASPH.
—Peter.
↑Leica M240 and Leica 50mm Summilux ASPH @ f/1.4.
↑Leica Monochrom and Leica 50mm Summilux ASPH @ f/1.4.
↑Leica Monochrom and Leica 28mm Elmarit ASPH @ f/2.8.
Dog days of summer.
↑Leica M9 and Leica 75mm Summilux @ f/1.4.
↑iPhone 5.
↑Leica M9 and Leica 50mm Summilux ASPH @ f/1.4.
↑Leica M9 and Leica 24mm Summilux @ f/1.4.
↑Leica M9 and Zeiss ZM 21/2.8 @ f/8.
↑Leica M9 and Leica 24mm Summilux @ f/1.4.
And the pinwheel effect.
↑Leica M9 and Leica 24mm Summilux @ f/2.
↑Leica M9 and Leica 24mm Summilux @ f/1.4.
↑Leica M9 and Leica 24mm Summilux @ f/1.4.
↑Leica M9 and Leica 24mm Summilux @ f/2.
↑Leica M9 and Leica 24mm Summilux @ f/2.
—Joseph Conrad, Lord Jim.
↑Leica M9 and Leica 24mm Summilux @ f/1.4.
↑Leica M9 and Leica 24mm Summilux @ f/1.4.
The city, via its citizens, contemplates itself in the early evening light.
↑Leica M9 and Leica 24mm Summilux @ f/1.4.
In my head.
↑Nikon D3 and Nikon 50mm f/1.4 AF-D @ f/2.5.
Prosophos 