And darling when we’re old
We’ll close the gates and lock the door
– Lenyy Kravitz, I build this garden for us.
(please click on the image to view)
↑Leica M3 and Konica Hexanon 60mm @ f/1.2.
Union Station, Toronto. Early in the morning.
(please click on both images to view)
Leica MP and Leica 35mm Summicron.
The rain has returned after a long absence, so I thought I’d post a second image today, more à propos of the mood.
(please click on the image to view)
This shot was taken last year with the Nikkor-NOCT 58/1.2 (on a Nikon D40 body).
The Nikkor-NOCT 58/1.2 is a remarkable lens that, unfortunately, is no longer made. I really should write a piece about it, but there is plenty of technical information available on the web about this lens. Have a look here and here.
Over the next little while, I’ll be posting some of my favourite shots I’ve taken with this lens. The images do a better job of telling the story of the NOCT anyway, as compared to technical discussions.
There was something about the way the natural light filtered through the window and shone upon the figure of this boy, who was quietly busy buttering his toast. The crispness of the white table cloths juxtaposed with the dark and textured bricks also caught my eye. And the orange juice looks as vitally orange as it did the morning this photo was taken. Normally, the mixture of natural and incandescent light sources creates a white balance nightmare, but thankfully not this time.
This image was chosen as a Leica Fotografie International (LFI) Master Shot.
(please click on the image below)
Leica M9 and Leica 50mm Summicron @ f/2.
This is a spiritual place for me.
I’ve photographed this spot many times and each time I get something different — a different mood painted with a different palette.
Always beautiful though.
Here are some sample shots taken on a recent foggy Saturday morning.
(please click on any photo to view a larger version)
Leica M9 and Zeiss 21/2.8