If you ever arrive at De Mello and see a guy precariously standing on a bar stool… that’s me.
—Peter.
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 35mm Summilux ASPH FLE.
If you ever arrive at De Mello and see a guy precariously standing on a bar stool… that’s me.
—Peter.
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 35mm Summilux ASPH FLE.
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 35mm Summilux ASPH FLE.
Happy Birthday.
—Peter.
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 35mm Summilux ASPH FLE.
Intended to post this last month but… better late than ever.
—Peter.
2011:
↑Nikon D3 + Nikkor-Noct 58/1.2.
–
2015:
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 50mm Summilux ASPH.
–
2017:
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 21mm Super-Elmar ASPH.
From last night’s festivities.
In both images, our kids are in the top row, center.
—Peter.
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 90mm Summicron APO.
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 90mm Summicron APO.
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 50mm Summilux ASPH.
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 35mm Summilux ASPH FLE.
V‘s final weekend working at De Mello‘s.
She will be missed.
—Peter.
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 35mm Summilux ASPH FLE.
Test shot #9 from my 1957 Leica M3 DS.
Along with my subject, I’m pensive too, because I’m sending this camera for a CLA (the shutter speeds are clearly off… this image was underexposed by two stops and I had to “push” it in LR — hence the heavy grain).
And so now I’m back to contemplating the Ship of Theseus because I wonder:
Will my M3 be the same camera when it returns? Will it continue to give me the sort of images I’ve seen from this first roll of film?
I don’t know, of course. But I’ll keep you posted.
—Peter.
↑Leica M3, 50mm Summilux ASPH @ f/1.4, and Kodak Portra 800.
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 21mm Super-Elmar ASPH.
Test shot #3 from my 1957 Leica M3 DS.
—Peter.
↑Leica M3, 50mm Summilux ASPH @ f/1.4, and Kodak Portra 800.
Test shot #5 from my 1957 Leica M3 DS.
—Peter.
↑Leica M3, 50mm Summilux ASPH @ f/1.4, and Kodak Portra 800.
Test shot #1 from my 1957 Leica M3 DS.
I think the shutter speeds are off as most of the images in this first roll of film appear underexposed. Yet some look fine, so I’m at a loss.
I’m using Kodak Portra 800 here, which is more grainy than Portra 400, but I have a nagging feeling…
Anyway, I’ll take a grainy film image like this over the most polished digital equivalent any day.
Something more real about it.
—Peter.
↑Leica M3, 50mm Summilux ASPH @ f/1.4, and Kodak Portra 800.
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 50mm Summilux ASPH.
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 50mm Summilux ASPH.