
↑Fujifilm GFX 100S + GF 32-64mm f/4.

↑Fujifilm GFX 100S + GF 32-64mm f/4.

↑Fujifilm GFX 100s + GF 110mm f/2.
This is heavily cropped.
—Peter.

↑Fujifilm GFX 100s + GF 110mm f/2.

↑Fujifilm GFX 100s + GF 110mm f/2.
The dog is mine.
The car isn’t.
—Peter.

↑ iPhone.
Spring and the renewal of life.
—Peter.

↑Fujifilm GFX 100s + GF 110mm f/2
Sometimes, when the light’s just right…
—Peter.

↑Fujifilm GFX 100S + GF 50mm f/3.5.

↑Fujifilm GFX 100S + GF 32-64mm f/4.

↑ iPhone.

↑Fujifilm GFX 100S + GF 32-64mm f/4.

↑ iPhone.

↑Fujifilm GFX 100S + GF 32-64mm f/4.




↑Fujifilm GFX 100S + GF 32-64mm f/4.

↑Fujifilm GFX 100S + GF 32-64mm f/4.
I think they spotted me.
—Peter.

↑ Leica M2-R, Voigtländer 50mm Nokton f/1.5 ASPH, Kodak Portra 400, and Plustek 8200i.
It’s intense.
Technical: 1/60 sec | artificial light.
—Peter.

↑ Leica M2-R, Voigtländer 50mm Nokton f/1.5 ASPH, Kodak Portra 400, and Plustek 8200i.
This shot represents the last frame from the roll of film I mentioned in yesterday’s post. There’s some lens flare (or possibly reflections off the filter?) present, which was a bit of surprise.
I had initially attempted to photograph the same scene with the GFX 100S, but its autofocus system was fooled by the back-lighting, and it just kept locking on to the plant by the window.
Manually focusing a 50+ year old rangefinder camera solved the problem 🙂
—Peter.
P.S. I’m still enjoying the 100S. It’s the best digital camera I’ve had since the M9.

↑ Leica M2-R, Voigtländer 50mm Nokton f/1.5 ASPH, Kodak Portra 400, and Plustek 8200i.