Getting the most out of your camera (and photography): turn everything off.

2012, Inspiration, Teaching point

If you want to get the most out of your camera, and be a better photographer, turn every “Auto” function on your camera OFF.

Photograph in Manual mode and decide for yourself what the aperture, shutter speed, and ISO should be.  If possible, use a prime (fixed focal length) lens and focus it manually.

In short, remove (and control for) as many variables as possible when photographing.

In this way only will you be able to understand the behaviour and importance of light.  In this way only will you begin to anticipate images before they materialize.

 —Peter.

She, then and now (film).

2012, Film, Inspiration, Leica 50mm Summilux ASPH f/1.4, Leica M2, Leica M3, Portrait, Teaching point, Voigtländer 40mm f/1.4 Nokton

A few years ago, I realized I had never captured her on film.

It was important to me for some reason.

So I started shooting film again.

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(please click on the images to view)

2009:

↑Leica M3, Fuji X-tra 400, and Voigtländer Nokton 40mm @ f/1.4.

2010:

↑Leica MP, Ilford HP5 Plus 400, and Voigtländer Nokton 40mm @ f/1.4.

2011:

↑ Leica M2, Ilford HP5 Plus 400, and Voigtländer Nokton 40mm @ f/1.4.

2012:

↑Leica M2, Kodak Tri-X 400, and Leica 50mm Summilux ASPH @ f/1.4.

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I look at these images now, and follow the path of light:

originating from the late afternoon sun,

filtering through the window,

touching her face before reflecting off,

traversing the distance between us,

bending in the glass elements of a lens,

and finally etching her image onto an organic emulsion.

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The film, like the viewer, is forever altered.

And it all happens in a fraction of a second — just like growing up.

—Peter.