If you ever arrive at De Mello and see a guy precariously standing on a bar stool… that’s me.
—Peter.
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 35mm Summilux ASPH FLE.
If you ever arrive at De Mello and see a guy precariously standing on a bar stool… that’s me.
—Peter.
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 35mm Summilux ASPH FLE.
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 35mm Summilux ASPH FLE.
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 50mm Summilux ASPH.
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 35mm Summilux ASPH FLE.
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 35mm Summilux ASPH FLE.
V‘s final weekend working at De Mello‘s.
She will be missed.
—Peter.
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 35mm Summilux ASPH FLE.
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 50mm Summilux ASPH.
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 50mm Summilux ASPH.
↑Nikon D70 + Nikkor 50mm 1.8G.
–
“You can never go back.” So the saying goes.
Today I dusted off an old camera I haven’t used in years — the Nikon D70.
The D70 was the first DSLR I ever owned, and it’s the only camera I never subsequently sold.
I’ve carried it through the streets of Toronto, in all sorts of weather.
We’ve also traveled together to New York City, Paris, and Athens.
A few of the people I’ve photographed with it are no longer with us.
But I was reminded today that, indeed, you can never go back.
—Peter.
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 35mm Summilux ASPH FLE.
This is a candid shot, taken just moments after the original Cafe Reading photograph (which, in contrast to this one, was posed). I had just informed V that “I got the shot”, and she immediately relaxed and started to flip through the pages of a book.
So I photographed her, because I knew that this was the better image.
I don’t often set up photographs, but when I do I will wait (with camera in hand) for the moment that follows, because what follows is usually better than any idea I can dream up.
(Technical: Taken on a rainy morning, with the soft light working its magic.)
—Peter.
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 35mm Summilux ASPH FLE.
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 35mm Summilux ASPH FLE.
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 35mm Summilux ASPH FLE.
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 35mm Summilux ASPH FLE.
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 90mm Summicron APO.
Window light.
—Peter.
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 90mm Summicron APO.
↑Leica M9 (CCD Lives! – Prosophos Open Letter to Leica) + Leica 35mm Summilux ASPH FLE.