—The Police, Secret Journey.
–
For those of you looking for a little break from the B&W film posts, I now present some CCD colour.
—Peter.
All my B&W images are developed at home using my easy film developing process.
All my B&W images are developed at home using my easy film developing process.
I found out from Getty Images today that this image of mine was licensed, this time for a French book:
–
For all of us obsessing about Leica lenses, it is worth noting this image was taken with a Voigtländer.
—Peter.
I had an opportunity to handle a Nikon D810, a Pentax 645Z, and a Sony A7RII yesterday.
Previously, I’ve owned a D800E, a 645D, and an A7s, so I was familiar — in a general sense — with each manufacturer’s offerings.
Ultimately, I had abandoned all of those last generation models, for one reason or another.
Care to guess which one of the latest generation offerings I found the most desirable? The least?
—Peter.
–
Ouch. This might actually kill the company.
Is there anybody left at Leica doing “reality checks” during company meetings?
—Peter.
Mamiya RZ67 Pro II + 110/2.8 @ f/4 + ND filter + Kodak Tri-X 400 + cute model again.
(Related: Pure — Tenderness)
—Peter.
Mamiya RZ67 Pro II + 110/2.8 @ f/4 + ND filter + Kodak Tri-X 400 + cute (but quick moving!) model.
—Peter.
Technical: Mamiya RZ67 Pro II + 110mm @ f/2.8 + Kodak Tri-X 400.
—Peter.
A roll of 120 film on the Mamiya RZ67 allows for exactly 10 photographs.
I used 3 of those frames tonight to photograph Honey — just because I love shooting the RZ67, and I hadn’t for a while, so I was itching… because good things happen when I pick up the RZ67.
(and Honey makes for a willing model)
More to follow.
(currently scanning the images… 9 out of 10 are worth keeping)
—Peter.
In celebration of the Jays’ win tonight to even the series 2-2, here’s one more from Game 1.
Back to Toronto they come to play the deciding game on Wednesday.
Does anybody want to donate their tickets to a family of 5?
—Peter.
Prosophos 