Well, the Leica Monochrom is living up to its reputation for exquisite tonal rendering, high ISO capabilities, and sharpness (please see the 100% crop below).
However, it’s also living up to its reputation for requiring a radically different approach to processing files (vs. the M9). So far, I’ve played with only a handful of images, but I’m thinking it’s going to be a long time before I even get anywhere near where I want to be.
This all underscores what I’ve previously written: with a new camera there is often an initial drop in photographic output.
Please bear with me while I sort this out.
—Peter.
↑Leica Monochrom and Leica 90mm Summicron APO @ f/2.
Prosophos 
I’m a fan of the Monochrom images with, judging only by what I’ve seen on line, what appear to be marvels of detail and lush rendering of tone. Your test shot here extends my growing appreciatiion of this camera.
Oh, and, while you sort it out, are you planning to explore the Monochrom’s high-ISO capabilities and post the results?
Of course. Thanks Jon.
I think you’ll get there sooner than you think!!
Probably my most significant concern when I purchased the MM was having to switch from the familiarity of Aperture 3 to LR4.
I’d developed a fast and effective workflow for achieving rich tones in the M9/Aperture B&W conversions and my initial impression of the MM files was that ironically these were going to be harder to get the same results from.
The concern was unfounded and as it transpired having to use LR4 was a blessing in disguise and I now process almost all my images this way.
Cheers, Jason.
Peter,
Listen to Jason, LR4 is a lot better than Aperture in post-processing in regards to the the MM. I’ve been a die hard Aperture user but unfortunately had to make the switch (I now use Aperture to store my final pics).
I tend to use the a lot of the black and white sliders. Also, I use the selective brush a lot to improve sharpness (the clarity slider) and to dodge and burn.
gage
Gage and Jason,
I’ve been using LR4 for the better part of a year and have been pleased with the results. It’s just that the Monochrom files seem to require a different approach to achieve the look I’m aiming for.
Hi Peter, I’d say that it took me 2-3 months of regular use and processing to get it right. I have a primarily LR4 only workflow…it’s a great camera, and as Gage and Jason have state, LR4 works great for MM files…Best of luck, and quick tip: the shadow/highlight and black/white sliders are your friends…and don’t be afraid to dodge and burn a bit, as the MM files are robust…One other thought: Try a vintage lens, like the Rigid Summicron, and you’ll find that highlights are rescued by lower contrast… Within a few weeks, it should all be second nature…
Don’t worry. I am 100% sure that you will sort this out in no time;). Isn’t that the beauty of the journey in mastering your new equipement:)!
Btw, If you want to run a marathon, it also begins with the first step(s) before you hit the 42K.