As seen in 1/6th of a second.
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↑Leica M9 and Zeiss ZM 21/2.8 @ f22.
This is the final post of the series, which began here.
Here the morning light traces over the simple and the mundane… the light shifts imperceptibly and even the inert is now living, now breathing, now pulsating.
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↑Leica M9 and Zeiss ZM 21/2.8.
Parts I and II of this series are here and here.
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↑Leica M9 and Zeiss ZM 21mm @ f/2.8.
The focus was on the boat, of course, and you can see the out-of-focus treeline and fog in the background. Just how sharp is the Zeiss ZM 21/2.8?
Here is the 100% centre crop @ f/2.8 – this is the original file with no sharpening:
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↑ Zeiss ZM 21mm @ f/2.8 (100% crop, no sharpening)
Clearly the Zeiss, beyond being sharp and possessing incredible resolving power – beginning at f/2.8 – renders in a contrasty and substantial way (for lack of a better term)… elements seem to jump out of the image (the so-called 3D effect) despite the large depth of field a wide angle lens normally affords.
A truly remarkable lens.
The sun appears and burns the fog off the surface of Oxtongue Lake.
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↑Leica M9 and Zeiss ZM 21mm f/2.8.
The original Tunnel Commuting is here.
This time, I decided to use film and a different lens.
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↑Leica M2 and Voigtländer Nokton 40mm @ f/1.4.
Union Station, Toronto. Early in the morning.
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Leica MP and Leica 35mm Summicron.
The rain has returned after a long absence, so I thought I’d post a second image today, more à propos of the mood.
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This shot was taken last year with the Nikkor-NOCT 58/1.2 (on a Nikon D40 body).
The Nikkor-NOCT 58/1.2 is a remarkable lens that, unfortunately, is no longer made. I really should write a piece about it, but there is plenty of technical information available on the web about this lens. Have a look here and here.
Over the next little while, I’ll be posting some of my favourite shots I’ve taken with this lens. The images do a better job of telling the story of the NOCT anyway, as compared to technical discussions.