Silhouettes before the sunrise.
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↑Leica M9 and Konica Hexanon 60mm @ f/1.2.
Seeking illumination in Toronto, on a dark winter’s morning.
St. James is, of course, located on Church and King Streets.
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↑Leica M9 and Leica 35mm Summilux FLE @ f/1.4.
I’ve previously written about achieving simplicity in one’s images, and of finding inspiration in the little moments.
Here’s an example of both.
This image was captured on the way back from work. The seats had just emptied of passengers and the train was sitting still for a few minutes with its doors wide open. I became aware of a movement to my left and looked to find the pages of a discarded newspaper fluttering with the air current.
The simplicity of the scene was beautiful, as was the illumination provided by a single incandescent lamp from just outside the window — like a spotlight.
I raised the camera to my eye and clicked the shutter.
Soon after, the seats quickly filled up, the newspaper was taken away, and the doors closed.
The moment had come and gone.
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↑Leica M9 and Leica 35mm Summilux FLE @ f/1.4.
Taken under the Freedom Arches of Nathan Phillip’s Square, Toronto, on a cold January night.
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↑Leica M9 and Leica 35mm Summilux FLE @ f/1.4.
The unusual clustering of people caught my eye.
On a technical note, this photo is stacked in more than one way: the clouds serve as counterbalance to complete the composition.
The image is courtesy of the Zeiss ZM 21/2.8. I don’t use this lens often, but when I do, I am always astounded by its rendering.
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↑Leica M9 and Zeiss ZM 21/2.8 @ f/4.
This is the final post of the series, which began here.
Here the morning light traces over the simple and the mundane… the light shifts imperceptibly and even the inert is now living, now breathing, now pulsating.
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↑Leica M9 and Zeiss ZM 21/2.8.