The final images from C’s Photo Shoot series.
(There are a few more that may be posted at a later time.)
(please click on the images to view)
↑Leica M9 and Leica 75mm Summilux @ f/1.4.
↑Leica M9 and Leica 35mm Summilux FLE @ f/1.4.
↑Leica M9 and Leica 35mm Summilux FLE @ f/1.4.
↑Leica M9 and Leica 35mm Summilux FLE @ f/1.4.
This was taken just prior to the sunset, as the light cast a warm glow.
All the previously washed out nuances of colour and texture in the environment seemingly emerge from nowhere and take on a golden hue — this is what happens at the so-called “golden hour“.
(please click on the image to view)
↑Leica M9 and Leica 35mm Summilux FLE @ f/1.4.
Part 1 was posted yesterday.
The warmth in this image is courtesy of the setting sun, and is enhanced by C’s equally luminous smile.
(please click on the image to view)
↑Leica M9 and Leica 35mm Summilux FLE @ f/1.4.
C’s photo shoot, Part 1 of 5.
C, you’re a natural…Happy 16th!
(please click on the image to view)
↑Leica M9 and Leica 75mm Summilux @ f/1.4.
As captured on film.
I can try and process my digital files to approximate this look, but — for me — the essence of who we are is better conveyed with the older medium.
(please click on the image to view)
↑Leica M3, Kodak Tri-X 400, and Leica 50mm Summilux ASPH @ f/1.4.
Brush [bruhsh]*:
1a. A device consisting of bristles fastened into a handle, used in scrubbing, polishing, or painting.
1b. The act of using this device.
2. A light touch in passing.
_
(please click on the image to view)
↑Leica M9 and Leica 35mm Summilux FLE @ f/1.4.
*Source: TheFreeDictionary.com
Suffused with window light, infused with film grain.
(please click on the image to view)
↑Leica M3, Kodak Tri-X 400, and Leica 50mm Summilux ASPH @ f/1.4.
(please click on the image to view)
↑Leica M9 and Leica 135mm Tele-Elmar f/4 @ f/5.6.
Outer glow ← inner glow, as captured on film.
(please click on the image to view)
↑Leica M2, Kodak Tri-X 400, and Leica 50mm Summilux ASPH @ f/1.4.
A few years ago, I realized I had never captured her on film.
It was important to me for some reason.
So I started shooting film again.
_
(please click on the images to view)
↑Leica M3, Fuji X-tra 400, and Voigtländer Nokton 40mm @ f/1.4.
↑Leica MP, Ilford HP5 Plus 400, and Voigtländer Nokton 40mm @ f/1.4.
↑ Leica M2, Ilford HP5 Plus 400, and Voigtländer Nokton 40mm @ f/1.4.
↑Leica M2, Kodak Tri-X 400, and Leica 50mm Summilux ASPH @ f/1.4.
_
I look at these images now, and follow the path of light:
originating from the late afternoon sun,
filtering through the window,
touching her face before reflecting off,
traversing the distance between us,
bending in the glass elements of a lens,
and finally etching her image onto an organic emulsion.
_
The film, like the viewer, is forever altered.
And it all happens in a fraction of a second — just like growing up.
—Peter.
With the muffins safely baking in the oven, the clean-up begins.
(please click on each image to view)
↑Both images: Leica M2, Kodak Tri-X 400, Leica 50mm Summilux ASPH @ f/1.4.
“Camouflage is a method of concealment that allows an otherwise visible animal, military vehicle, or other object to remain unnoticed by blending with its environment.”
_
(please click on the image to view)
↑Leica M9 and Leica 35mm Summilux FLE @ f/1.4.
(please click on the image to view)
↑Leica M2, Kodak Tri-X 400, and Leica 50mm Summilux ASPH @ f/1.4.
(please click on the image to view)
↑Leica M2, Kodak Tri-X 400, and Leica 50mm Summilux ASPH @ f/1.4
This photo was chosen as a Leica Fotografie International (LFI) Master Shot.
(please click on the image to view)
↑Leica M9 and Leica 35mm Summilux FLE @ f/1.4.
The alchemy of innocence, silver halide, and gentle light.
(please click on the image to view)
↑Leica M2, Kodak Tri-X 400, and Leica 75mm Summilux @ f/1.4.
(please click on both images to view)
↑Both images with the Leica M9 and Leica 35mm Summilux FLE @ f/1.4.
