Inside and out.
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↑Leica M9 and Konica Hexanon 60mm f/1.2.
The law wasn’t broken here, but a rule was.
A shallow depth of field was used to unconventionally blur the foreground figure (policewoman). It’s an unconventional choice because your mind normally expects the most foreground elements to be in focus. Violating this “rule” can prove for a distracting image, but I believe it works here because of the particular composition and because the two officers are mirroring each other with their expressions.
(please click on the image to view)
↑Leica M9 and Konica Hexanon 60mm @ f/1.2.
[Disclaimer: Similar to my Voigtländer Nokton 40mm f/1.4 and Voigtländer Nokton 35mm f/1.2 posts, this is a user report and is not intended to be a comprehensive lens review.]
—Peter.
Beautiful dawn – lights up the shore for me.
There is nothing else in the world,
I’d rather wake up and see (with you).
Beautiful dawn – I’m just chasing time again.
Thought I would die a lonely man, in endless night.
But now I’m high; running wild…
—James Blunt, High
(please click on the image to view)
↑Leica M9 and Konica Hexanon 60mm @ f/1.2.
She, at dawn. This was one of those special little moments I wrote about here.
(please click on the image to view)
↑Leica M9 and Konica Hexanon 60mm @ f/1.2.