Mamiya 7II + 80mm – Test (Roll 0).

2019, Beyond 200 feet of My House™, Favourite, Film, Inspiration, Kodak Ektar 100, Mamiya 7/7II, Mamiya 80mm, Portrait, Print, Street, Within 200 feet of My House™

10 images on a roll, I’m posting 7 (the others were duplicates).

Looks like everything is working as it should.

Haven’t used this film before (Kodak Ektar 100), but it was the only 120 colour film that was in stock locally.

—Peter.

↑Mamiya 7II + Mamiya 80mm + Kodak Ektar 100.

A little story about baseball (exhibition pre-2020 game).

2019, Baseball, Beyond 200 feet of My House™, Favourite, Inspiration, Nikon 70-200mm f/2.8E FL ED VR, Nikon D500, Portrait, Q&A, Sports

The days are already much shorter here, so most of the game was played in the dark with the field lights on.  I had to crank up the ISO to 8000 (and beyond) but most of the grain you see here was added during post-processing.

—Peter.

 

↑Nikon D500 + Nikon 70-200mm f/2.8E FL ED VR.

 

Jay (1943 – 2019).

2019, Favourite, Inspiration, Leica 50mm Summilux ASPH f/1.4, Leica M10, Life's Little Moments, Portrait

The world lost a good guy today.

When we were walking outside in July, to find a spot for me to take this portrait, Jay saw some flowers by the sidewalk and remarked:

“I don’t know whether I will be above or below the flowers in August…”.

Well, you made it until today, Jay.

But that’s not nearly long enough for the rest of us.

Rest In Peace.

—Peter.

↑ Leica M10 + Leica 50mm Summilux ASPH f/1.4.

Guest Post: Aaron C Greenman – Ete en France Profonde (Color).

Film, Guest Post, Inspiration

I’m happy to share a very special guest post by Aaron C Greenman.

Wait!… Aaron is shooting film now?  And is using colour??? 

Up is down, front is back… what in the world is happening?!

LOL, I’ll let Aaron answer for himself, but as you view his images, I want you to think about how the change in medium and gear has changed his work.

Thank you Aaron,

—Peter.

Aaron C Greenman writes…
Peter,
Well, summer days (and light) are waning again, and I have had a bit of a different experience these recent months, returning to film and shooting with a Mamiya 6 as opposed to digital Leica M’s. I always wanted to test my compositional abilities with the square format and luckily came across the Mamiya, which had not really previously been on my radar. I have always liked the concept of 6×6 square film but had never gotten along with the ergonomics of waist-level finders. The Mamiya 6 – like the Leicas – feels simple and mechanical, gets out of the way and is equally inspiring to shoot with – what I didn’t expect was that I much prefer shooting color vs. black and white on film (perhaps in this regard I was spoiled by the Monochrom?), and my entire summer has been spent indulging in Ektar 100. 
As you probably know, I have had a long-running project to document life in rural France during the seasons (Ete en France Profonde and Hiver en France Profonde), all shot in black and white. As a contrast, I’ve included some images below from this summer to show my (temporary?) transition to color. 
Wishing you the best and a wonderfully colorful autumn,
aaron c greenman
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