A view of adjacent frames on a roll of film, scanned together in the Plustek 7600.
Two incomplete frames in the flow of life’s film strip.
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↑Leica M2 and Voigtländer Nokton 40mm @ f/1.4.
Parts I and II of this series are here and here.
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↑Leica M9 and Zeiss ZM 21mm @ f/2.8.
The focus was on the boat, of course, and you can see the out-of-focus treeline and fog in the background. Just how sharp is the Zeiss ZM 21/2.8?
Here is the 100% centre crop @ f/2.8 – this is the original file with no sharpening:
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↑ Zeiss ZM 21mm @ f/2.8 (100% crop, no sharpening)
Clearly the Zeiss, beyond being sharp and possessing incredible resolving power – beginning at f/2.8 – renders in a contrasty and substantial way (for lack of a better term)… elements seem to jump out of the image (the so-called 3D effect) despite the large depth of field a wide angle lens normally affords.
A truly remarkable lens.
The sun appears and burns the fog off the surface of Oxtongue Lake.
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↑Leica M9 and Zeiss ZM 21mm f/2.8.
The original Tunnel Commuting is here.
This time, I decided to use film and a different lens.
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↑Leica M2 and Voigtländer Nokton 40mm @ f/1.4.
When your mother died… it was four years ago today.
When your mother died… you were only two years old.
Do you remember her?
I have a photo of you hugging her – the one in the kitchen – during that final summer together. In it, you are overcome with joy, and she – she is forever embracing you.
(please click on the image below to view)
↑Leica M2 and Voigtländer Nokton 40mm @ f/1.4.
Dear S,
Rest in peace, my sweet love.
Birthday.
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All images taken with the Leica M9 and Leica Noctilux 50mm @ f/1.0.