Silhouettes before the sunrise.
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↑Leica M9 and Konica Hexanon 60mm @ f/1.2.
The original is here.
Not sure which one I prefer actually. The last time I was unsure, the comments were unanimously in favour of one image… although in that case the images were identical and they only differed in their processing.
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↑Leica M9 and Zeiss ZM 21/2.8 @ f/8.
Capturing the CN Tower, in the warm glow of the setting sun.
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↑Leica M9 and Leica 35mm Summilux FLE @ f/1.4.
Seeking illumination in Toronto, on a dark winter’s morning.
St. James is, of course, located on Church and King Streets.
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↑Leica M9 and Leica 35mm Summilux FLE @ f/1.4.
Notice once again the composition: her arms are forming a Strong Diagonal (it’s a bent diagonal, but rules are meant to be bent and/or broken ;)).
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↑Leica M9 and Konica Hexanon 60mm @ f/1.2.
On a cold, cold February afternoon.
She’s growing up fast. To see how she looked only six weeks ago, please click here.
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↑Leica M9 and Leica 50mm Summilux ASPH @ f/1.4.
I’ve previously written about achieving simplicity in one’s images, and of finding inspiration in the little moments.
Here’s an example of both.
This image was captured on the way back from work. The seats had just emptied of passengers and the train was sitting still for a few minutes with its doors wide open. I became aware of a movement to my left and looked to find the pages of a discarded newspaper fluttering with the air current.
The simplicity of the scene was beautiful, as was the illumination provided by a single incandescent lamp from just outside the window — like a spotlight.
I raised the camera to my eye and clicked the shutter.
Soon after, the seats quickly filled up, the newspaper was taken away, and the doors closed.
The moment had come and gone.
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↑Leica M9 and Leica 35mm Summilux FLE @ f/1.4.
I’ve just introduced a Customized Post-Processing Service via Email.
If you like the way I digitally post-process my images and would like for me to work on some of yours, please read more about my service here.
Now, I can’t work miracles, but I promise I will try to improve or enhance your images to the best of my ability.
—Peter.
This is a grab shot, taken yesterday during one of my Practical Photography – Teaching sessions.
At the time, I was discussing the importance of Strong Diagonals in images, as well as the importance of pre-focusing to nail shots like these at wide Apertures — in this case f/1.4.
Fortunately, this woman walked by, allowing me to illustrate the above points, as well as allowing me to demonstrate the importance of capturing an ambulating figure in mid-step.
And yes, this image was taken with the lovely little Voigtländer 40mm Nokton 40/1.4 — an extremely underrated lens.
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↑Leica M9 and Voigtländer Nokton 40mm @ f/1.4.