Toppled on the couch.
(please click on the image to view)
↑Leica M3 and Konica Hexanon 60mm @ f/1.2.
The original Tunnel Commuting is here.
This time, I decided to use film and a different lens.
(please click on the image to view)
↑Leica M2 and Voigtländer Nokton 40mm @ f/1.4.
When your mother died… it was four years ago today.
When your mother died… you were only two years old.
Do you remember her?
I have a photo of you hugging her – the one in the kitchen – during that final summer together. In it, you are overcome with joy, and she – she is forever embracing you.
(please click on the image below to view)
↑Leica M2 and Voigtländer Nokton 40mm @ f/1.4.
Dear S,
Rest in peace, my sweet love.
Birthday.
(please click on the images to view)
All images taken with the Leica M9 and Leica Noctilux 50mm @ f/1.0.
The exhilaration of being, on a sunny autumn day.
This photo was chosen as a Leica Fotografie International (LFI) Master Shot.
(please click on the image to view)
↑Leica M9 and Leica 75mm Summilux @ f/1.4.
As you can see, the 75mm Summilux produces an extremely shallow depth of field at f/1.4. Nailing focus here – while he is running towards me – is tricky.
Further complicating things is the long focus throw of the 75/1.4, which is designed for precision and not for speed.
I rarely get this kind of shot with this lens, at this aperture… and to have caught him in mid-stride was the icing on the cake.
Continuing my exploration of the Leica Noctilux f/1.0 (E60)…
Something tremendous about the light here – can’t quite elucidate what, specifically. The image definitely wasn’t taken during the “Golden Hour”, so I’m left wondering whether there is a “Noctilux effect” at play.
(please click on the image to view)
↑Leica M9 and Leica 50mm Noctilux @ f/1.