Guest Post: Roel van Noord.

Guest Post, Inspiration

Today’s Guest Post is from Roel van Noord, who has often contributed to the discussions on this site, but has otherwise been quietly modest about his own photography.

Well, that’s about to change.

Roel, in one of his projects, had the courage to head out on the street and ask total strangers to pose for him.  The result: a plethora of fascinating portraits.  Despite the diverse cast of characters captured in his images, there is one unifying element: they are all wearing hats.

I’ll let Roel explain how this came to be:

“Hi Peter,

I have been visiting your site almost everyday and I still love it. Thank you for putting in the effort of sharing your images and thoughts which are, at moments, very personal.

Has been a while since we connected… just started my second exhibition this year with a series of street portraits.  The theme is goed gemutst (“well hatted”), which in Dutch means something like “looking good” but also “feeling good” (well spirited).  Don’t know if there is a similar translation for that in English.

The series was shot in winter and shows people comfy dressed (hats/shawls) against the cold (a bit like ‘if you snooze you loose’, or as we say in Holland, “if you stay at home because of the weather you are always wrong”). You will see here that the weather was fabulous ;o) “

Roel.

Wolfman Jack

100% Pure

Dreads

Smiling eyes

Just did it

Thank you very much Roel!

To see more of Roel‘s work, please see here.

—Peter.

Guest Post: Luiz Paulo.

Guest Post, Inspiration

I am pleased to present four new images this year from a dear friend, and outstanding photographer, Luiz Paulo.

I must confess, I have an affinity for Luiz‘s photography because we share similar sensibilities when it comes to our subject matter:  Luiz photographs his daughter (family), and he captures the capricious and simultaneously important elements of daily existence (Life’s Little Moments).

On a technical note, this time Luiz treats us with complex explorations in composition and a rare (for him) infusion of colour.

Finally, I am very excited to announce that Luiz will be featured in an upcoming issue of Leica Fotographie International, where many of his images are already prominently displayed online .

Please help me, then, in welcoming him once again to this site.

—Peter.

[If you would like to see more of Luiz‘s work, please visit previous posts on this site here, herehere, and here.]



Luiz 1

Luiz 2

Luiz 3

Luiz 4

Apparitions in the Apparatus.

Inspiration, Leica 75mm Summarit f/2.5, Portrait, Print, Street

Apparitions in the Apparatus

↑Leica M9 and Leica 75mm Summarit @ f/2.5.

If you haven’t already done so, please consider signing my open letter to Leica.

Prosophos Open Letter to Leica

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Top 5 Images that I liked – but you didn’t :)

Favourite, Inspiration, Q&A, Teaching point

When you create things (like photographs) you become emotionally attached to them.  Consequently, you are often not in the best position to judge whether your creations are any good.

Having said that, I’m normally pretty accurate at predicting which of my images will be favourably received.

However, I still get fooled.  Sometimes, what I thought was good, you think is, well…

Here are 5 images I posted over the last few years that received minimal or no comments.  They were figuratively sucked into a vacuum and left for dead.

I realize that perhaps you may have been away when I first posted them.  Or, perhaps you were too pressed for time, and couldn’t leave a friendly comment.

But I am instead going to assume that you disliked these images.

How could you? 🙂

Top 5 Images that I liked — but you didn’t.

1. Bajan Tapestry.

This was photographed last month, so I admit I may be biased by the recency of my creation.  Yet, I believe this may be one of the best images I’ve ever created.

bajan-tapestry

2. The Kick.

The proverbial decisive moment.  Caught on film, no less.  Whimsical, and perfectly composed with a dash of symmetry.  Tell me otherwise.

The Kick (film)

3. The Kiss.

It’s all about Love.  You would have to be heartless to ignore this one.  And you did.

The Kiss


4. The Window, Part 2.

Reflections, connections, and longing gazes.  Life as a dream.  Works for me.

The window, Part 2.

5. Portrait of an enigmatic young man.

So enigmatic, it confused you.  I guess.

portrait-of-an-enigmatic-young-man

There are other examples, but I won’t berate you any more.

Thanks,

—Peter.

Keeping it real.

Inspiration, Q&A, Teaching point

I thought it might be a good time to link to an old post of mine, from over two years ago.

What prompted this?

Looking at some images from a popular website, where a guest photographer was sharing his experience with one of the latest cameras.  The images were beautiful, but the processing was over the top.  Too plastic.

When processing, my friends, you have to keep it real.

–Peter.

1963 M3 – Test Shot.

Film, Inspiration, Kodak Tri-X 400, Leica M3, Q&A, Scanner - Plustek 120, Teaching point

Completing my move back into shooting film is my acquisition of a Leica M3.

I’m revisiting an old friend, in that I’ve owned two of these previously (a couple of examples of my previous output with the M3 can be seen here and here) .

This one is from 1963, and it still has the “L” seal intact — which means it has never been opened to be serviced since leaving the factory in 1963.

How well does this 50+ year old camera fare?

Here is a test shot from today (focus is on the angels):

1963 M3 Test Shot

↑Leica M3, Leica 50mm Summilux ASPH @ f/1.4, and Kodak Tri-X 400.

The focus is spot-on, and most of the shutter speeds are working perfectly.

Now, do I get it serviced to get the last ounce of performance out of it, or do I leave it untouched (with the L seal intact)?

Hmmm…

—Peter.

For some reason…

Inspiration, Q&A, Teaching point

For some reason, my open letter to Leica has been getting a lot of traffic today.

Who should sign it?

Anyone who wants an updated CCD sensor in a future Leica M model.  Anyone who places emphasis on rangefinder simplicity and also values high image quality at low-to-moderate ISO values.

Yes, Leica, incorporate the ergonomic improvements of the M240, but help differentiate the brand from the mediocre CMOS landscape by bringing back an updated CCD sensor.

Please bring back a superior, simple, and reliable still-photography camera worthy of the Leica brand.

(If you’re reading this and are in agreement, please click on the Dear Leica dot below and sign your name in the comments section.)

Thanks,

—Peter.

Prosophos Open Letter to Leica

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