Thus Sprach Zarathustra (Eternal Recurrence of the Same).

2016, Film, Inspiration, Kodak Tri-X 400, Leica - Kanto, Leica M3, Portrait, Scanner - Plustek 120, Zeiss ZM 50mm Sonnar f/1.5

Thus Spoke Zarathustra: A Book for All and None (German: Also sprach Zarathustra: Ein Buch für Alle und Keinen, also translated as Thus Spake Zarathustra) is a philosophical novel by German philosopher Friedrich Nietzsche, composed in four parts between 1883 and 1885 and published between 1883 and 1891.[1] Much of the work deals with ideas such as the ‘eternal recurrence of the same’…”

Wikipedia.

We did have spring for a few days, but winter has returned.

So, here we are… inside again, back in front of our bay window.

Occasionally, a burst of sunlight overcomes the darkness for a while.

Patience, patience.

—Peter.

Thus Sprach Zarathustra

 

Sigma 35mm Art @ f/1.4 on the Nikon D810 (very, very short review).

Inspiration, Nikon, Nikon D810, Portrait, Q&A, Sigma 35mm f/1.4 ART, Teaching point

Ever since I switched over to the Nikon D810 and started using Sigma Art lenses, I’ve received a few questions asking me how well the Sigmas perform on the high-resolution D810.

Well let me put it this way: the internet got it right… these lenses are exceptional.

The Art lenses are the only lenses I’ve tried on the D810 that gave me the kind of performance I’d gotten used to with my Leica gear.  In fact, I’d venture to say I probably would have already abandoned the D810 and missed out on what the camera sensor is truly capable of, if it wasn’t for the Sigma lenses.

As a simple demonstration, I’m posting a crop from yesterday’s image Up in order to illustrate the sort of central sharpness you can expect when using the 35 Art @ f/1.4 (focus is on the near eye):

 

Up (central magnification - Nikon D810 and Sigma 35mm ART at 1.4)

Sharpness, of course, is only one facet of lens performance, but I also appreciate how this lens has very little distortion and how beautifully it handles light, colour, and out-of-focus rendering.  Last, but not least, I also appreciate how Sigma has consciously avoided adorning the exterior with tacky emblems: it comes wrapped in a wonderfully nondescript dark body with minimal markings:

Sigma 35mm 1.4 ART - Prosophos

 

—Peter.