(please click on the image to view)
↑Leica M9 and Konica Hexanon 60mm @ f/1.2.
Look carefully at the rendering of the Leica 75mm Summilux (Canadian version)… it’s wonderful.
I sometimes struggle with this lens, as it doesn’t have the coatings of modern lenses and it is susceptible to flare. Physically it’s large too. And correct focus is notoriously difficult to achieve at f/1.4, because of the extremely thin depth of field (witness the focus here is on the near eye; by the time we get to the second eye, we are already out of focus).
But for portraits, I can’t think of a more appropriate lens in this focal range.
I should really do a Lens Report on this lens, as I’m often asked about it. But I haven’t been motivated to because the qualities of the 75 Summilux that I most value are not easily appreciated via test charts. Ideally, it’s best to just view images taken with it (however, when I wrote my report on the Leica 75mm Summarit f/2.5, I did include some comparison crops between the two lenses).
If you want to see more examples of portraiture with the Leica 75mm Summilux, please see here, here, and here.
(please click on the image to view)
↑Leica M9 and Leica 75mm Summilux @ f/1.4.
I resisted the temptation to crop away the top and bottom portions and present this as a pseudo-panoramic horizontal strip… something about the original image (as presented here) appears very surreal, very much like a “dream”. Or perhaps a diorama.
(please click on the image to view)
↑Leica M9 and Leica 50mm Summilux ASPPH @ f/1.4 + 3 stop ND filter.
Actually, this was captured this week… but something about him made me think of a bygone era.
I also could have called this Worker 11, as it follows my previous 10 Worker images.
In the past, I’ve sort of criticized the 50mm Summilux ASPH as being “too perfect” of a lens, but I love how it has rendered him, and this moment.
(please click on the image to view)
↑Leica M9 and Leica 50mm Summilux ASPH @ f/1.4.
This was taken just prior to the sunset, as the light cast a warm glow.
All the previously washed out nuances of colour and texture in the environment seemingly emerge from nowhere and take on a golden hue — this is what happens at the so-called “golden hour“.
(please click on the image to view)
↑Leica M9 and Leica 35mm Summilux FLE @ f/1.4.
“Camouflage is a method of concealment that allows an otherwise visible animal, military vehicle, or other object to remain unnoticed by blending with its environment.”
—Wikipedia.
_
(please click on the image to view)
↑Leica M9 and Leica 35mm Summilux FLE @ f/1.4.
This one was challenging, but ultimately very rewarding.
He was constantly moving, with his back toward me most of the time, making a decent shot difficult (it’s always a struggle at this age when kids start getting mobile, but — on the positive side — they’re still “naturals” in front of the camera).
So, I tried a few times throughout the day to capture him… without success.
Then, at the time of the “golden hour“, he was once again looking out the window. As he turned here, and smiled, a shaft of soft light from outside acted as a gentle spotlight on his left face and shoulder.
As I couldn’t back up any further from where I was, I could just fit him within the 75mm frame lines. And I tried my best to hit focus, as this wonderful combination of expression, light, and composition would likely not repeat itself. Fortunately, it all came together.
A Life’s Little Moment to be cherished.
(please click on the image to view)
↑Leica M9 and Leica 75mm Summilux @ f/1.4.
_
Two days ago, my “Photographing your family with the BEST photo equipment” article was featured on SteveHuffPhoto.com.
The piece generated much commentary, and I’ve read through all of it. Almost all of it was overwhelmingly positive but, surprisingly, a few negative responses emerged. I write “surprisingly” because I always choose my words very carefully and I know there wasn’t anything controversial or provocative in my post.
It was meant to be very positive, in fact.
But this is the internet age, where making a statement like “I like pizza” will generate a handful of negative responses. Arguing with the responders is not productive, of course.
You know, I realized several years ago just how inconsequential all the frantic machinations of daily life can be, when we don’t take the time to appreciate each other. The only important thing — the only enduring thing — when you strip away all the pretenses, is this:
_
“How we treat each other is the only thing that counts.”
_
So, instead of trying to respond to a few negative comments, I’d like to take the time to post a personal “thank you” — on this very site — to all of the wonderful people who got my post. For their very eloquent comments (some critical, but at least constructive) I’d like to specifically thank these individuals:
_____________________________
Neil Buchan-Grant
Ashwin Rao
Duane Pandorf
Colin Steel
Photozopia
Jonny
Harry
Danniel Schwartzkopf
William Jusuf
Joanne Puyat
Travis
Robert T Wilson
Armanius
Leo
Duncan
Flamingjune1967
Denis
cidereye
Laugaut
Jack
Michael S.
Nacho Pello
Mark S
Peter Laaba
derekdj
Bryan Campbell
Paco
Guillaume
Andrew
Chrstine Lee
William Jones
Matus
Rick Alan
jim
David Young
Kelvin
Mo Han
Jason Howe
Richard ford
Dariel Palacol,
Dj0502
Joan
Andrew Ryle
Gauge Caudell
Orestis
John
des
Manny
Peter
Charlie
Marc Weisberg
Tyson Ng
c.d. embrey
Bianca
Felipe Méndez
Dan L.
Henk
Jun
Radar
Twitch
Enzo
David Young
Denis
John Driggers
Greg
dan
Chris Smith
Garazd Vahen
Jag Siva
Jacob
Steindid
Godfrey
______________________________
_
Last but not least, I want to thank Steve again for his generosity in allowing me to share my words and images on his wonderful site.
—Peter.
My “Photographing your family with the BEST photo equipment” article was featured today on SteveHuffPhoto.com!
I’m once again honoured and would like to thank Steve for his ongoing support of my work!
If you want to see the article, as posted on Steve’s site, please click here.
For convenience, I’m re-posting the images below.
Thanks for reading,
—Peter.
(please click on the images below to view them LARGE)
The title was inspired by a Miles Davis album of the same name.
(please click on the image to view)
↑Leica M9 and Leica 35mm Summilux FLE @ f/1.4.