Leica M240: More thoughts.

Q&A, Teaching point

Leica M.

–

I continue to be underwhelmed with M(240) images.

[See: M240: Final Verdict.]

[See:  M9, M(240), DXO… and smoke and mirrors.]

I know, I know, the shutter is quieter, and the buffer is larger, and the LCD is better than what we had with the M8/M9/Monochrom.

But… who cares, if the images all look like Canikon… sorry, like Canikoleica?

Oh yes, I forget, we have to wait for updated firmware, for the correct raw converter “profiles”, for people to get used to working with the new files, etc.  The problem I have with these sorts of statements, and other statements from many M owners, is that it all sounds like mass rationalization.

Yes, the new “box” is shinier, the new box is newer.

But… I prefer to let the images do the talking.  So far, they are inferior to anything I’ve seen out of the M9 or M8 (not to mention the Monochrom).

Sorry, but I’m calling it as I’m seeing it.

Perhaps my long-held view that CCD has something that CMOS lacks is simplistic.

But it appears to summarize things nicely.

—Peter.

—

If you haven’t already done so, please consider signing my open letter to Leica.

Prosophos Open Letter to Leica

___

Related posts:

10 ways to create bad photographs.

Inspiration, Teaching point

10 ways to create a bad photograph

–

This is meant to be lighthearted — and instructive 🙂  …Enjoy!

—Peter.

________________

–

10 ways to create bad photographs.

–

  1. Shoot from your head, not your heart (if you lack passion, your images will be found lacking).

  2. Shoot by first surrendering your brain (leaving the camera on auto-everything leaves everything to chance).

  3. Shoot without honing (there is no substitute for practice, practice, practice).

  4. Shoot as if your camera is a machine gun (indiscriminately pressing the shutter to photograph everything often captures nothing).

  5. Shoot when the light is un-magical (good light helps all photographs, always!).

  6. Shoot from one spot (don’t work for the shot and the shot will likely not work).

  7. Shoot it all (being overly-inclusive obscures your photographic vision).

  8. Shoot a “postcard” image  (doing what’s been done before often leads to staid shots — try something original and you may be pleasantly surprised).

  9. Shoot with the latest and greatest (frequently “upgrading” equipment frequently downgrades the quality of your output).

  10. Shoot by committee (visiting photography forums for “advice” from people with different experience, needs, expectations, and motives should be done with extreme caution).

–