This is a wonderful candid photograph, Peter, capturing a child focused in play. I particularly like the shadows and subdued tones.
Thank you Jose. Oh how I have missed the M9/M-E sensor and the way it handles colour and light…
I understand that, Peter… I have the CMOS-based M240 and continue to use the CCD-based Monochrome, and there is no comparison to the ‘brilliance’ of the images and subtleties of the tones. A new Monochrome will come out in September but it will also be CMOS-based with significant features taken from the M240.
It may not be CMOS based Jose given there is every chance that the ME may be continued in the M240 body. We can only hope it’s the same for the MM!!
Interesting, I did not now that.
That’s excellent, I find shadow shots the most difficult.
Thank you Pi.
In fact, I find the most important details of a photograph – those that evoke emotions from the observer – to always reside in the shadows. Measuring light to maintain a suitable level of information in the darker parts of the image – provided they have interest, of course – is key to a superb photograph.
Prosophos 
This is a wonderful candid photograph, Peter, capturing a child focused in play. I particularly like the shadows and subdued tones.
Thank you Jose. Oh how I have missed the M9/M-E sensor and the way it handles colour and light…
I understand that, Peter… I have the CMOS-based M240 and continue to use the CCD-based Monochrome, and there is no comparison to the ‘brilliance’ of the images and subtleties of the tones. A new Monochrome will come out in September but it will also be CMOS-based with significant features taken from the M240.
It may not be CMOS based Jose given there is every chance that the ME may be continued in the M240 body. We can only hope it’s the same for the MM!!
Interesting, I did not now that.
That’s excellent, I find shadow shots the most difficult.
Thank you Pi.
In fact, I find the most important details of a photograph – those that evoke emotions from the observer – to always reside in the shadows. Measuring light to maintain a suitable level of information in the darker parts of the image – provided they have interest, of course – is key to a superb photograph.