So often, Peter, your compositions just jump out of the monitor with their exquisite balance of space and line, light and dark (both in color and like here in B&W). One of the greatest things about them is that they excel in areas of image making that are particularly in camera determined. This, of course, is one such.
And on a technical note (which I should probably leave to others better suited) this looks to me to be one of the longest grey scales in any image of yours since the M Monochrom.
Thank you very much Greg.
Great conversion. At first I assumed it was a Mamiya 7 crop!
Great observation! I’ve often said that film informs and guides my digital-post processing…
Prosophos 
So often, Peter, your compositions just jump out of the monitor with their exquisite balance of space and line, light and dark (both in color and like here in B&W). One of the greatest things about them is that they excel in areas of image making that are particularly in camera determined. This, of course, is one such.
And on a technical note (which I should probably leave to others better suited) this looks to me to be one of the longest grey scales in any image of yours since the M Monochrom.
Thank you very much Greg.
Great conversion. At first I assumed it was a Mamiya 7 crop!
Great observation! I’ve often said that film informs and guides my digital-post processing…