Street

[Guest Post] Aaron C Greenman and the Mamiya 6.

Film, Guest Post, Inspiration, Mamiya 6, Q&A, Street, Teaching point

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Aaron writes:

“Peter, as you know I have been a Leica M shooter for most of the past 15 years….. until the past three years, when I have been wrestling with the (as of now somewhat false) promise of portable mirrorless digital (the Hasselblad X1D). Back and forth, it has been a struggle to decide between the wonderful image quality and color fidelity of the Hasselblad with the obvious handling, fluidity and OVF advantages of the Leica. 
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Anyway, I have neither now, as I await an X2D equivalent, and I’ve found and am using what I pray every night for exactly in digital – the Mamiya 6, along with its 75mm and 50mm lenses (approx. 50mm and 28mm equivalent).
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For any Leica M enthusiast, the Mamiya 6 (or 7, if you want to shoot 6×7), is a wonderfully familiar experience: a big nice optical coupled rangefinder, compact design for its 6×6 image size, a collapsible lens mount, and quality, lightweight lenses with sharp and characterful rendering. I have also always wanted to shoot square natively, and it is a simple joy in a square, uncluttered viewfinder – never having to turn the camera takes one more variable out of the composition equation. 
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The accompanying photo was taken with the 6, the 50mm and Ektar 100 on a recent trip in United Arab Emirates, and shows the Mamiya excels in the most key area – an instantaneous shutter that allows its owner to precisely capture the moment. 
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All in all, it is an experience of pure photographic bliss…… just be mindful of the limits of 12 shots per roll! 😉”
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Aaron, thank you for your thoughts, which I’m sure will be helpful to photographers out there contemplating getting the Mamiya 6.  As an aside, I never thought I’d see you shooting film, and it’s nice to see you indulge in some colour photography!  Keep up the great work.
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For my part, I have really wanted to get back to film (and almost did so recently) but the constant announcements of film stock discontinuations and ever-tightening shipping restrictions on chemicals for developing have made me hesitate to (re-)commit.  It’s images like this, however, and what I see over at Mark’s site that keep the idea of film photography alive for me.
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Lastly, regarding your comment…
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“…it has been a struggle to decide between the wonderful image quality and color fidelity of the Hasselblad with the obvious handling, fluidity and OVF advantages of the Leica.”
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…much like you, my ideal camera would be designed like a Leica M with a proper (OVF) rangefinder, but would contain a medium format sensor, in a body no larger than a Mamiya 6 (or Hasselblad X1D).
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Leica, if you’re interested, we can help you do it!
(one can hope…)
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—Peter.

Truck-sized.

2019, Beyond 200 feet of My House™, Favourite, Fujifilm GF 63mm f/2.8 R WR, Fujifilm GFX 50R, Inspiration, Print, Q&A, Street, Teaching point

This Fujifilm GFX 50R test shot #2 is consequent to an initial discussion here and subsequent discussion here.

The truck was moving when I photographed it.

The full-res file leaps off the screen.  You can get a sense of that effect here, even at this (much smaller) size.

—Peter.

↑ Fujifilm GFX 50R + Fujifilm 63mm f/2.8 R WR.

The Christmas Portrait, 2018 Edition.

2018, 7Artisans 50mm f/1.1, Beyond 200 feet of My House™, Favourite, Inspiration, Leica M10, Portrait, Prosophos Custom Lightroom Presets, Q&A, Street

This also happens to be Test Shot #3 of Undisclosed Lens #7, stopped down this time in order to get everyone in focus (the first two test images were shot wide open).

Of note, after only a day’s worth of experience with this lens, I was confidant enough to use it for a group portrait.

As an aside, we had a relatively warm Christmas week this year, hence the absence of snow.

—Peter.

↑ Leica M10 + Undisclosed Lens #7.