How did I process the film for this image? You can access my simple 3-part tutorial here.
The film was subsequently scanned to digital with a Plustek 7600.
↑Leica M2, Ilford HP5+ 400, and Leica 50mm Summilux pre-asph @ f/1.4.
How did I process the film for this image? You can access my simple 3-part tutorial here.
The film was subsequently scanned to digital with a Plustek 7600.
↑Leica M2, Ilford HP5+ 400, and Leica 50mm Summilux pre-asph @ f/1.4.
For anyone in doubt about film having a different look from digital, look carefully at this image.
Noteworthy observations: the colours, the tonality. There are other differences that I’ve never been able to put my finger on — call it the “je ne sais quoi” factor.
As an aside, I’ve always found that the Voigtländer Nokton 40mm, the lens used to capture this image, performs exceptionally well on film.
—Peter | Prosophos.
↑Leica MP, Voigtländer Nokton 40mm @ f/1.4, and Fuji Superia X-tra 200.
I’ve had a few people email me today requesting an 100% crop from my Cat’s Eyes photo, similar to what I posted for my Free as a Bird image from just over a week ago.
Here it is…
↑Leica M9 and Leica Noctilux @ f/0.95.
Yesterday I had the pleasure of meeting Mark, a fellow Canadian and reader of this site.
[Please see some of Mark’s previous contributions, here and here].
And he’s gentleman, through and through.
After sharing a cup of coffee and our life experiences, we walked over to Dundas Square to photograph and found it almost completely empty! Incredible.
I did end up with one image though — the only image that counts: a portrait of Mark.
—Peter.
↑Leica M9 and Leica Noctilux @ f/0.95.