(please click on the image to view)
↑Leica M9 and Leica 50mm Summicron @ f/2.
Not that long ago, she was Honey on Ice.
(please click on the image to view)
↑Leica M9 and Leica 50mm Summicron @ f/2.
Capturing a walker/jogger/runner in mid-stride is always desirable, as it adds a dynamic component to the image, and it opens up the figure for a more pleasing composition.
In this case, when I zoom in, I can see that both of his feet are off the ground… this serves no real purpose (for this particular image), but it’s an example of the sort of “freezing” of time that photography does so well.
(please click on the image to view)
↑Leica M9 and Leica 50mm Summicron @ f/2.
Well, there was only one of her.
(please click on the image to view)
↑Leica M9 and Voigtländer Nokton 40mm @ f/2.8.
Taken partially against the light — wide open — with the “bargain” 75 Color Heliar.
The 100% crops (not shown) are quite impressive; the detailed rendering is obvious, even in this web-sized image.
More than the sharpness, I really appreciate how this lens is handling the light in this scene.
(please click on the image to view)
↑Leica M9 and Voigtländer 75mm Color Heliar LTM @ f/2.5.
I’m of course referencing the ring of light found in religious and literary iconography.
The dramatic halo effect in this image is courtesy of the optical “flaw” known as lens flare — something I’ve harnessed in the past to convey my view of life as a dream.
(please click on the image to view)
↑Leica M9 and Leica 50mm Summilux ASPH @ f/1.4.